Centerpiece of the research project is MS 2129 of the music collection of the Austrian National Library in Vienna. The lavishly decorated choirbook consisting of only fifteen folios of imposing size, was produced by Richard of Genoa, singer and scribe of the Wittelsbach music chapel in Munich, for the 1568 wedding of William V of Bavaria and Renata of Lorraine. The only musical piece it contains is the tripartite motet Gratia sola Dei which Orlando di Lasso had composed for that occasion. Particular attention is given to the predominantly Old Testament image cycles accompanying the musical text, undoubtedly inspired by Hans Mielich’s illustrations to the famous Penitential Psalms.

MS 2129 was studied from a multidisciplinary perspective in 2016 within the conference series Troja – Kolloquium und Jahrbuch für Renaissancemusik (with financial support from the Fritz Thyssen Foundation). The proceedings – including a catalog of all motifs and pertinent inscriptions – is now available as open access publication. It forms the starting point for further research on the sixteenth-century illuminated choir books produced for the Wittelsbach dynasty, which today are among the most valuable holdings of the Bavarian State Library in Munich.

Publications

  • Envisaging marriage: towards the artistic and intellectual microcosm of a Wittelsbach chapel singer in 1568. / Tammen, Björn R.
    in: Imago Musicae, Jahrgang 31/32, 10.06.2021, S. 99–135.
  • Katalog der Bildmotive und Inschriften in Wien 2129. / Tammen, Björn Renko.
    in: Jahrbuch für Renaissancemusik : troja, Jahrgang 15/2016, 05.11.2020, S. 275-317.
  • Autopsie eines Gesamtkunstwerks. Thematische Einführung. / Tammen, Björn Renko.
    in: Jahrbuch für Renaissancemusik : troja, Jahrgang 15/2016, 05.11.2020, S. 15-49.
  • Richard von Genua und die Tobias-Erzählung in Mus.Hs. 2129. / Tammen, Björn Renko.
    in: Jahrbuch für Renaissancemusik : troja, Jahrgang 15/2016, 05.11.2020, S. 183-209.
  • Autopsie eines Gesamtkunstwerks. Das Chorbuch der Münchner Jahrhunderthochzeit von 1568 (Jahrbuch für Renaissancemusik: troja, 15/2016). / Tammen, Björn Renko (Herausgeber:in).
    2020. 317 S.
  • Zur Wiener Prachthandschrift der Hochzeitsmotette "Gratia sola Dei" (1568) von Orlando di Lasso. Eine Wiederentdeckung – und viele offene Fragen. / Tammen, Björn Renko.
    in: Musikforschung, Jahrgang 68, 31.03.2015, S. 1-21.

Lectures

  • Basel

    Envisaging marriage, betrothing music and painting. The artistic and intellectual cosmos of Richard of Genova in 'Vienna 2129'

    Tammen, B. R. (Speaker)

    4 Jul 2019

  • Regensburg

    Aktivierung der Musik – oder: visuelle Stimuli in Chorbüchern der Renaissance

    Tammen, B. R. (Speaker)

    12 Jan 2019

  • Madrid

    Ambivalent attitudes towards the Five Senses in counter-reformation Munich: the case of Hans Mielich and Orlande de Lassus’s Penitential Psalms (c. 1565/70)

    Tammen, B. R. (Speaker)

    30 Nov 2017

  • München

    Finalstrategien? Lassos Laudes Domini und Mielichs Illustrationen zu den Psalmen 148 und 150

    Tammen, B. R. (Speaker)

    27 Apr 2017

  • Wien

    Die Erzählung von Tobias und Sara: 'Fragwürdiges' zu Richard von Genua und Mus.ms. B der Bayerischen Staatsbibliothek

    Tammen, B. R. (Speaker)

    23 Apr 2016

  • Wien

    Thematische Einführung

    Tammen, B. R. (Speaker)

    23 Apr 2016

  • Ravenna

    Gratia sola Dei and the idiosyncrasies of 'images with music' in Roland de Lassus's wedding motet for Munich 1568

    Tammen, B. R. (Speaker)

    8 Apr 2016

  • München

    Orlando di Lasso, Richard von Genua und die Federzeichnungen in A-Wn 2129: Spin-off der Mielich-Codices oder eigenständiges Kollaborativprojekt?

    Tammen, B. R. (Speaker)

    18 Mar 2016