This research area includes the edition of musical works as well as of texts such as libretti and reviews.

Fux Edition

Fux Edition

The new edition of Johann Joseph Fux’s works is a major contribution to Baroque music research.

New Schubert Edition

New Schubert Edition

The Vienna research group of the New Schubert Edition, located at the Austrian Academy of Sciences since 1980, is part of a long-term musicological edition project in collaboration with the University of Tübingen, whose goal is to produce a scholarly-critical…

Schubert meets AI

Schubert meets AI

The project develops an AI-based method for the automated extraction, structuring, and conversion of data from the New Schubert Edition.

Brahms Complete Edition

Brahms Complete Edition

The Vienna research group of the Johannes Brahms Complete Edition, established in 2011, is a long-term project that aims at compiling a scholarly-critical edition of the complete musical works of Johannes Brahms in cooperation with the…

Flora et Germana

Flora et Germana

The project provides a critical edition of the Festa da camera by Carlo Arrigoni (1697–1744). The edition will be published in three languages (German, English, Italian).

Pariati Critical Edition

Pariati Critical Edition

This research project aims to reveal the importance and originality of baroque poet Pietro Pariati (1665–1733) by making the complete edition of his sacred and profane texts for music accessible to the scientific community and to a wide public audience.

Hanslick’s Criticism

Hanslick’s Criticism

This project explores the dynamics of and relations between Hanslick’s aesthetic, critical, and scholarly writings during his tenure at “Neue Freie Presse”.

Reconstruction of Hanslick’s Aesthetics

Reconstruction of Hanslick’s Aesthetics

This project explores the genesis and argument structure of “On the Musically Beautiful” over chapters and across the ten editions published during Hanslick’s lifetime.

Hanslick under Scrutiny

Hanslick under Scrutiny

The project edits early reviews of Eduard Hanslick’s “On the Musically Beautiful” and analyzes their impact on the second edition of this book.