
... has studied musicology at the University of Arts in Belgrade, where she also received her Ph.D. She attained her habilitation in musicology from the University of Music and Performing Arts Vienna (2021). She has taught at the University of Arts in Belgrade, University in Graz, and at the University of Music and Performing Arts Vienna, where she is currently an Adjunct Professor. She is the editor of the open access journal TheMA – Theatre, Music, Arts, advisory board member of MGG, editorial board member of Studia Musicologica, and chair of the IMS Study Group Music and Cultural Studies.
At the ACDH, Tatjana Marković is part of the Department of Musicology. She is currently head of the FWF project Discourses on Music at the Margins of the Habsburg Monarchy (c. 1750–1914), which aims to reconstruct emerging musicology as a discipline and (pre) national music historiographies in order to discover pluricultural musical life along the southern border of the Austrian/Austro-Hungarian Empire.
Her main research interest is Southeast European musical culture and musicology.
Publications
- Reflecting on Ethno/Musicology from an Alternative Angle: “Lives in Musicology” in Acta Musicologica. / Markovic, Tatjana.
in: Muzikologija, Jahrgang 25, Nr. 39, 31.12.2025, S. 127-146.This article examines the “Lives in Musicology” column in Acta Musicologica (introduced in 2017 by Federico Celestini and Philip V. Bohlman) as a lens for reflecting on the discipline of musicology. Eight renowned scholars – including pioneers in musicology, ethnomusicology, and music theory – from the United States, Europe, East Asia, Africa, and Australia – revisited their careers, revealing the construction and trajectory of the field. Their autobiographical accounts, analyzed through the theory of autobiography by Jaume Aurell, trace the discipline’s expansion from the Western canon to diverse research areas, the establishment of new concepts, and the radical shift in Acta Musicologica editorial policy from conservative positivism focused on the Germanic canon toward a pluricultural and multilingual global musicology.
Lectures
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Ljubljana
Multiplied (Supra)National Identities: Balkan Pluriculturalism on Stage
Markovic, T. (Speaker) & Markovic, T. (Contributor)
17 Nov 2026 → 19 Nov 2026 -
N/A
Pluriculturalism versus nationalism: Inclusive history of music. Serbian music historiography
Markovic, T. (Speaker)
5 Dec 2025 -
Belgrad
From silent prayers to passionate screams: painful passion of Galina Ustvol'skaja's five symphinies
Markovic, T. (Speaker)
29 Oct 2025 -
N/A
Early Slavic opera between imperial legacies and supra/nationalism
Markovic, T. (Speaker)
5 Jun 2025 -
Athens
Archives_ Politics and Technologies of Memory
Markovic, T. (Speaker) & Markovic, T. (Speaker)
20 Feb 2025 -
Budapest
Pluricultural musical life along the Austro-Hungarian — Ottoman border in the 19th century
Markovic, T. (Speaker)
28 Nov 2024
