Projects

The Austrian Encyclopedia of Music (oeml) sees itself as a fundamental reference work for the music (history) of Austria in all its manifestations.

Music played an important role in the self-conception and representation of the Habsburg dynasty.

How did Beethoven's formative years as a court musician in Bonn shape his musical values? This book project re-evaluates these years based on original new source research.

Connecting Kraus-Scholarship to the Semantic Web

The project investigates the Arabic language and focuses on the differences between sedentary and Bedouin varieties in the Middle East and North Africa.

Das Projektvorhaben umfasst die Annotation, die Registererstellung, die Verknüpfung mit Normdatensätzen, die technische Einrichtung sowie eine open access-Publikation dieser wöchentlichen Theater- und Kulturzeitschrift Die Schaubühne.

Representations of music in the visual arts significantly contribute to a better understanding of music history. This applies both to the depiction of musical instruments and music-making within concrete performative contexts, as well as to issues of symbolic communication within unique cultural and socio-political contexts.

This project aims to create a basis for an edition of letters by recording and indexing all of Gustav Mahler's letters that have so far appeared in print.

The project is dedicated to harmo-nizing, digitizing and archiving data collected over 50 years in the context of excavations at Tell el-Daba, Egypt.

A collaborative edition project dedicated to the musical oeuvre of the Viennese composer Franz Schubert.

This project explores the dynamics of and relations between Hanslick’s aesthetic, critical, and scholarly writings during his tenure at "Neue Freie Presse."

DRACMarkS analyses watermarks found in Franz Schubert's manuscripts with the aid of thermography, machine learning and signal processing and uses methods inspired by techniques found in fingerprint recognition to facilitate watermark comparison.

Das Projekt „Arthur Schnitzler – Kritische Edition (Frühwerk) IV“ gilt der Erstellung und (digitalen) Publikation einer historisch-kritischen Edition der frühen literarischen Werke des österreichischen Schriftstellers Arthur Schnitzler (1862–1931).

The ELF in TIGs project develops a new methodological and descriptive framework for the study of communication in transient multilingual contexts.

The Institute of Musicology at the University of Vienna, founded in 1898, is not only one of the oldest musicological institutes in the world, but also one of the most renowned.

The project applied for here is intended to collect essential basic materials for a planned history of the Institute of Musicology at the University of Vienna.

Das Projekt Arthur Schnitzler Journal enthält eine digitale Ausgabe der 16.407 Einträge, die der Schriftsteller Arthur Schnitzler in seinem Tagebuch vermerkt hat.

The CD series "Klingende Forschung" is a project between musicological research and musical practice. In cooperation with the Phonogrammarchiv, concerts organized by the Department of Musicology are recorded and documented, including a scientific booklet published by the OeAW.

Digital Edition and Handbook: A diachronic-linguistic analysis of documented Albanian place names.

The scope and topic of the FWF Special Research Programme (SFB) “German in Austria” encompass the entire spectrum of variation and varieties of German in Austria.

The Lexical Information System Austria (LIÖ) is a platform on which interested users can find out more about vocabulary and lexical variation in Austria.

The Expositiones in Psalmos appeared in the fourth or fifth century and circulated under the name of Athanasius of Alexandria. It is a foundational source for the development of patristic exegesis in the tradition of Origenes and Eusebius of Caesarea.

The project makes the content of the publication "Elfriede Jelinek: Work and Reception" as well as newly researched data accessible.

The new edition of Johann Joseph Fux's works is a major contribution to Baroque music research.

The project investigates the development of relational adjectives in the History of German.

Linking two data resources relevant to the city of Vienna: the DIGITARIUM will be semantically enriched with information of the Wien Geschichte WIKI.

Various media phenomena are analysed in this research project regarding their audio-visuality.

Starting with the first musicological habilitation at the University of Vienna (Eduard Hanslick, 1856), the history of musicology as a university discipline is subject of this project.

Researching Persian & Arabic manuscripts, NoMansLand explores transculturation between nomadic & sedentary societies in medieval Iran & Central Asia.

The project re-investigates ancient Egyptian graves from Turah. Modern methods are applied to the 1910 excavated objects mostly hosted at KHM, Vienna.

The book series "Wiener Bruckner-Studien" was founded in 2009 and covers a broad range of topics. Thanks to the collaboration of foreign Bruckner scholars, nine volumes are currently available.

The research platform DEMOS offers a collection of source materials related to Austrian music history, strongly (yet not exclusively) dedicated to biographical data, and with a particular focus on musical life in Vienna in the 19th and the first half of the 20th century. It consists of several sub-databases which have been made publicly available since 2013.

As an active player in the pan-European digital research infrastructure DARIAH, the ACDH acts as a national hub in supporting the aims of the consortium.

The Anton Bruckner Lexikon Online (ABLO) covers people, places, terms and all of Bruckner’s works in more than 1,000 entries.

Digitisation and publication of the printed volumes of the Dictionary of Bavarian Dialects in Austria (WBÖ) 1–5

This online Corpus of Arabic varieties is a virtual research platform for Arabic dialectology and a testing ground for new text technological methods.

The aim of the project is to present Bernhard's linguistically developed provocative power and its public consequences against a contemporary historical background.

This project considers discourses on music at the pluricultural Slavonian and the Banat military frontiers between the Habsburg Monarchy and the Ottoman Empire.

The Austrian part of PROVEDH, carried out by exploration space, is an open innovation space against the background of art driven innovation, artistic activism and social innovation to explore how the humanities might contribute to co-create a more just, inclusive and sustainable future.

The project is dedicated to the digitization and archiving of the collection of the Austrian ethnologist Friedrich Julius Bieber (1873-1924).

DHA is a virtual platform that supports the digital paradigm in Austrian humani-ties studies by distributing information and connecting stakeholders.

YouBeOn is an innovatice, participative research project investigateing religion on social media. Results will be published in a web-app.

The consortium maintains a network of data repositories, service centres and centres of expertise across Europe, focussing on digital language resources.

Capture and cataloguing of medieval music manuscripts in Austria

Das Projekt „Wörterbuch der bairischen Mundarten in Österreich“ widmet sich der Dokumentation und lexikographischen Aufarbeitung der Basis- und Regionaldialekte (Alt-)Österreichs.

This project is dedicated to collecting, analysing, and evaluating prosopographical and biographical data in a structured and sustainable manner.

The Benedictine Abbey of Göttweig has a rich collection of music manuscripts, printed music and libretti, mainly from the 18th and 19th centuries; a part of the famous collection of Aloys Fuchs (1799–1859) was also inserted.

The Emergence of the Austrian Federal Constitutional Law of 1920

Digital edition of the musical works of the Viennese court organist and composer Wenzel Raimund Birck

Digital Edition: MMP wants to build an innovative technical solution for analyzing and visualizing collected data.

The project utilizes the high information density of the arrival lists published in the “Wien[n]erisches Diarium” from 1703 to 1725 with the help of digital, (semi-)automatic methods.

The research project is devoted to the systematic analysis of Brahms reception in the Viennese press between 1862 and 1902.

Digitisation of the language surveys for the "Deutscher Wortatlas" using AI

CLS INFRA is a H2020 project, aiming to build an infrastructure with high-quality data, tools and knowledge for the study of literature in the digital age.

St. Stephen’s Cathedral already is a spiritual centre in Vienna. In several project steps, gaps are now to be closed in order to be able to create an overall picture of the music at the Metropolitan and Cathedral Church of St. Stephen.

The focus of the project is on the Arabic minority variety spoken in the Harran-Urfa region of Southeastern Turkey.

A collaborative edition project dedicated to the musical oeuvre of the composer Johannes Brahms.

The research project is devoted to complex cross-media combinations of music, text(s) and image(s) in sixteenth-century illuminated choirbooks produced for the Wittelsbach court in Munich.

A project exploring the intersections of literature, politics, (digital) media, and celebrity culture

AI+ addresses the question of how to collaboratively expand society's awareness and resilience around the operation and impact of algorithms, exemplified on the city of Vienna.

A corpus-based analysis of language use and linguistic variation in Nestroy’s “Possen”, parodies and dramas, which aims at producing an up-to-date reference work, which will open up new perspectives on the diversity in the language of the ingenious Viennese playwright.

TUNOCENT wird aktuelle linguistische Daten und Analysen über die bislang fast unbekannten arabischen Varietäten aus Nordwest- und Zentraltunesien sammeln.

In cooperation with the University of Innsbruck, Institute of Musicology and the International Gustav Mahler Society a web presence with comprehensive information on life and work of Gustav Mahler (1860–1911) – one of the most prominent figures of the so-called Viennese Modernity – is to be created.

Digitally editing W. H. Auden's letters to Stella Musulin, this project offers a fresh perspective on the later life and work of one of the most influential twentieth-century writers through newly available archival material.

The project aims at transcribing and evaluating the handwriting and lexis contained on the over 100-year-old WBÖ paper slips with the intention of engaging citizens with their linguistic and regional heritage.

A digital edition of Kraus' extensive analysis of the beginning of National Socialist rule in Germany, 1933.