Journal of Music Archaeology
The ›Journal of Music Archaeology‹ (JMA) is the first specialist academic Open-Access periodical in the field of music archaeology, continuing the spirit of Studien zur Musikarchäologie, which appeared within Orient-Archäologie. It addresses questions concerning the archaeology of sound and rhythmical behaviour of past cultures all over the globe, including the study and reconstruction of certain or possible sound tools, the investigation of soundscapes, especially where intentionally chosen or erected, as well as related historical, anthropological and ethnological research based on iconographies, literatures, and comparative studies reflecting the wide range of approaches and methodologies that has characterised music archaeology from its beginnings.
Editors
- Stefan Hagel (OeAW-OeAI)
- Florian Leitmeir (University of Würzburg), Dahlia Shehata (University of Würzburg), Kamila Wysłucha (OeAW-OeAI)
Advisory Board
- Charles Atkinson (Würzburg)
- Ireneusz Czajka (Kraków)
- Ricardo Eichmann (Berlin)
- Sibylle Emerit (Lyon)
- Fāng Jiànjūn 方建军 (Zhengzhou)
- Ingrid Furniss (Easton, PA)
- Anna Gruszczyńska-Ziółkowska (Warsaw)
- Andreas Haug (Würzburg)
- Raquel Jimenez Pasalodos (Valladolid)
- Lars-Christian Koch (Berlin)
- Gjermund Kolltveit (Nesodden)
- Graeme Lawson (Cambridge)
- Cajsa S. Lund (Växjö)
- José Pérez de Arce (Santiago de Chile)
- Stelios Psaroudakēs (Athens)
- Riitta Rainio (Helsinki)
- Annemies Tambour (Assen)
- Rupert Till (Huddersfield)