W. G. Sebald : : History - Memory - Trauma / / ed. by Scott Denham, Mark McCulloh.

• Superior document: Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1
• MitwirkendeR: Aliaga-Buchenau, Ana-Isabel,; Barzilai, Maya,; Bauer, Karin,; Ceuppens, Jan,; Darby, David,; Denham, Scott,; Franklin, Ruth,; Friedrichsmeyer, Sara,; Fritzsche, Peter,; Furst, Lilian R.,; Garloff, Katja,; Gunther, Stefan,; Hutchinson, Ben,; Ilsemann, Mark,; Kilbourn, R. J. A.,; Klebes, Martin,; Lennon, Patrick,; McCulloh, Mark,; Niehaus, Michael,; Prager, Brad,; Sebald, W. G.,; Szentivanyi, Christina M.E.,; Turner, Gordon,; Vees-Gulani, Susanne,; Wilms, Wilfried,
• HerausgeberIn: Denham, Scott,; McCulloh, Mark,
• Place / Publishing House: Berlin ;, Boston : : De Gruyter, , [2008]; ©2006
• প্রকাশনার বছর: 2008
• ভাষা: English
• মালা: Interdisciplinary German Cultural Studies , 1
• দৈহিক বর্ননা: 1 online resource (382 p.)

Dieser Band bietet Beiträge zu allen Aspekten des Werks von W. G. Sebald. Herausgegeben von US-amerikanischen Sebald-Experten eröffnet der Band die neue Reihe „Interdisciplinary German Cultural Studies".

Table of Contents

• Frontmatter
• Table of Contents
• Foreword: The Sebald Phenomenon
• Introduction: Two Languages, Two Audiences: The
• Tandem Literary OEuvres of W.G. Sebald
• Introduction and Transcript of an interview given
• by Max Sebald
• Section 1: Contexts & Influences
• Kafka, Nabokov … Sebald: Intertextuality and
• Narratives of Redemption in Vertigo and The Emigrants
• Sebald’s Pathographies
• Sebald’s Elective and Other Affinities
• In the Weavers’ Web: An Intertextual Approachto
• W.G. Sebald and Laurence Sterne
• Sebald’s Kafka
• Sebald’s Amateurs
• Section 2: Narrative and Style
• “A Time He Could Not Bear to Say Any More About”:
• Presence and Absence of the Narrator in W.G. Sebald’s The
• Emigrants
• The Task of the Narrator: Moments of Symbolic
• Investiture in W.G. Sebald’s Austerlitz
• “Egg boxes stacked in a crate”: Narrative Status
• and its Implications
• Speak no Evil, Write no Evil: In Search of a Usable
• Language of Destruction
• On Exposure: Photography and Uncanny Memory in W.G.
• Sebald’s Die Ausgewanderten and Austerlitz
• Realism, Photography,and Degrees of
• Uncertainty
• Section 3: History and Trauma
• The Dystopian Entwinement of Histories and
• Identities in W.G. Sebald’s Austerlitz
• Transcripts: An Ethics of Representation in The
• Emigrants
• Landscape and Memory: Sebald’s Redemption of
• History
• The Holocaust as the Still Point of the World in
• W.G. Sebald’s The Emigrants
• W.G. Sebald’s Twentieth-Century Histories
• Going Astray: Melancholy, Natural History, and the
• Image of Exile in W.G. Sebald’s Austerlitz
• No Foothold. Institutions and Buildings in W.G.
• Sebald’s Prose
• The Experience of Destruction: W.G. Sebald, the
• Airwar, and Literature
• W.G. Sebald and Structures of Testimony and Trauma:
• There are Spots of Mist That No Eye can Dispel
• Backmatter