W. G. Sebald : : History - Memory - Trauma / / ed. by Scott Denham, Mark McCulloh.

• Superior document: Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1
• MitwirkendeR: Aliaga-Buchenau, Ana-Isabel,; Barzilai, Maya,; Bauer, Karin,; Ceuppens, Jan,; Darby, David,; Denham, Scott,; Franklin, Ruth,; Friedrichsmeyer, Sara,; Fritzsche, Peter,; Furst, Lilian R.,; Garloff, Katja,; Gunther, Stefan,; Hutchinson, Ben,; Ilsemann, Mark,; Kilbourn, R. J. A.,; Klebes, Martin,; Lennon, Patrick,; McCulloh, Mark,; Niehaus, Michael,; Prager, Brad,; Sebald, W. G.,; Szentivanyi, Christina M.E.,; Turner, Gordon,; Vees-Gulani, Susanne,; Wilms, Wilfried,
• HerausgeberIn: Denham, Scott,; McCulloh, Mark,
• Place / Publishing House: Berlin ;, Boston : : De Gruyter, , [2008]; ©2006
• 出版年: 2008
• 言語: English
• シリーズ: Interdisciplinary German Cultural Studies , 1
• 物理的記述: 1 online resource (382 p.)

Dieser Band bietet Beiträge zu allen Aspekten des Werks von W. G. Sebald. Herausgegeben von US-amerikanischen Sebald-Experten eröffnet der Band die neue Reihe „Interdisciplinary German Cultural Studies".

The novelist, poet, and essayist W. G. Sebald (1944 – 2001) was perhaps the most original German writer of the last decade of the 20th century (“Die Ausgewanderten”, “Austerlitz”, “Luftkrieg und Literatur”). His writing is marked by a unique ‘hybridity’ that combines characteristics of travelogue, cultural criticism, crime story, historical essay, and dream diary, among other genres. He employs layers of literary and motion picture allusions that contribute to a sometimes enigmatic, sometimes intimately familiar mood; his dominant mode is melancholy. The contributions of this anthology examine W. G. Sebald as narrator and pensive observer of history. The book includes a previously unpublished interview with Sebald from 1998.

Table of Contents

Frontmatter -- Table of Contents -- Foreword: The Sebald Phenomenon -- Introduction: Two Languages, Two Audiences: The -- Tandem Literary OEuvres of W.G. Sebald -- Introduction and Transcript of an interview given -- by Max Sebald -- Section 1: Contexts & Influences -- Kafka, Nabokov … Sebald: Intertextuality and -- Narratives of Redemption in Vertigo and The Emigrants -- Sebald’s Pathographies -- Sebald’s Elective and Other Affinities -- In the Weavers’ Web: An Intertextual Approachto -- W.G. Sebald and Laurence Sterne -- Sebald’s Kafka -- Sebald’s Amateurs -- Section 2: Narrative and Style -- “A Time He Could Not Bear to Say Any More About”: -- Presence and Absence of the Narrator in W.G. Sebald’s The -- Emigrants -- The Task of the Narrator: Moments of Symbolic -- Investiture in W.G. Sebald’s Austerlitz -- “Egg boxes stacked in a crate”: Narrative Status -- and its Implications -- Speak no Evil, Write no Evil: In Search of a Usable -- Language of Destruction -- On Exposure: Photography and Uncanny Memory in W.G. -- Sebald’s Die Ausgewanderten and Austerlitz -- Realism, Photography,and Degrees of -- Uncertainty -- Section 3: History and Trauma -- The Dystopian Entwinement of Histories and -- Identities in W.G. Sebald’s Austerlitz -- Transcripts: An Ethics of Representation in The -- Emigrants -- Landscape and Memory: Sebald’s Redemption of -- History -- The Holocaust as the Still Point of the World in -- W.G. Sebald’s The Emigrants -- W.G. Sebald’s Twentieth-Century Histories -- Going Astray: Melancholy, Natural History, and the -- Image of Exile in W.G. Sebald’s Austerlitz -- No Foothold. Institutions and Buildings in W.G. -- Sebald’s Prose -- The Experience of Destruction: W.G. Sebald, the -- Airwar, and Literature -- W.G. Sebald and Structures of Testimony and Trauma: -- There are Spots of Mist That No Eye can Dispel -- Backmatter