Translations of the sublime : the early modern reception and dissemination of Longinus' Peri hupsous in rhetoric, the visual arts, architecture and the theatre / / edited by Caroline van Eck ...[et. al.].
Contrary to widely held assumptions, the early modern revival of ps-Longinus' On the Sublime did not begin with the adaptation published by Boileau in 1674; it was not connected solely with the Greek editions that began to appear from 1554; nor was its impact limited to rhetoric and literature....
Saved in:
TeilnehmendeR: | |
---|---|
Year of Publication: | 2012 |
Language: | English |
Series: | Intersections
24. |
Physical Description: | 1 online resource (292 p.) |
Notes: | Description based upon print version of record. |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993582400504498 |
---|---|
ctrlnum |
(CKB)2670000000263238 (EBL)1036958 (OCoLC)813222816 (SSID)ssj0000758716 (PQKBManifestationID)11435013 (PQKBTitleCode)TC0000758716 (PQKBWorkID)10781160 (PQKB)10325624 (MiAaPQ)EBC1036958 (nllekb)BRILL9789004234338 (Au-PeEL)EBL1036958 (CaPaEBR)ebr10608103 (CaONFJC)MIL394727 (PPN)174395809 (EXLCZ)992670000000263238 |
collection |
bib_alma |
record_format |
marc |
spelling |
Translations of the sublime [electronic resource] : the early modern reception and dissemination of Longinus' Peri hupsous in rhetoric, the visual arts, architecture and the theatre / edited by Caroline van Eck ...[et. al.]. Boston : Brill, 2012. 1 online resource (292 p.) text txt computer c online resource cr Intersections ; 24 Description based upon print version of record. English Preliminary Material -- Introduction / Caroline van Eck , Stijn Bussels and Maarten Delbeke -- The Meaning of Apostrophè in Longinus’s On the Sublime (16, 2) / Francis Goyet -- Longinus and Poetic Imagination in Late Renaissance Literary Theory / Eugenio Refini -- The Sublime and the Bible: Longinus, Protestant Dogmatics, and the “Sublime Style” / Dietmar Till -- A l’aune du sublime : autour du « Parallèle de Corneille et Racine » (1688) de La Bruyère / Paul J. Smith -- Orrore, terrore, timore. Vasari und das Erhabene / Hana Gründler -- Elevated Twins and the Vicious Sublime. Gianlorenzo Bernini and Louis XIV / Maarten Delbeke -- “One never sees monsters without experiencing emotion”. Le merveilleux and the Sublime in Theories on French Performing Arts (1650–1750) / Stijn Bussels and Bram Van Oostveldt -- The Demosthenes of Painting. Salvator Rosa and the 17th century Sublime / Helen Langdon -- The Longinian Sublime, Effect and Affect in ‘Baroque’ British Visual Culture / Lydia Hamlett -- Figuring the Sublime in English Church Architecture 1640–1730 / Caroline van Eck -- Paradoxical Encounters. Eighteenth-Century Architectural Experiences and the Sublime / Sigrid de Jong -- Index Nominum. Contrary to widely held assumptions, the early modern revival of ps-Longinus' On the Sublime did not begin with the adaptation published by Boileau in 1674; it was not connected solely with the Greek editions that began to appear from 1554; nor was its impact limited to rhetoric and literature. Manuscript copies began to circulate in Quattrocento Italy, but very few have been studied. Neither have the ways the sublime was used, in rhetoric and literature, but also in the arts, architecture and the theatre been studied in any systematic way. The present volume is a first attempt to chart the early modern translations of Peri hupsous , both in the literal sense of the history of its dissemination by means of editions, versions and translations in Latin and vernacular languages, but also in the figurative sense of its uses and transformations in the visual arts in the period from the first early modern editions of Longinus until its popularization by Boileau. Contributors include Francis Goyet, Hana Gründler, Lydia Hamlett, Sigrid de Jong, Helen Langdon, Bram Van Oostveldt, Eugenio Refini, Paul Smith, and Dietmar Till. Includes bibliographical references and index. Sublime, The, in art. Arts, Modern Themes, motives. Longinus, 1st cent. On the sublime. Longinus, 1st cent. Appreciation. 90-04-22955-8 Eck, Caroline van. Intersections 24. |
language |
English |
format |
Electronic eBook |
author2 |
Eck, Caroline van. |
author_facet |
Eck, Caroline van. |
author2_variant |
c v e cv cve |
author2_role |
TeilnehmendeR |
author_sort |
Eck, Caroline van. |
author_additional |
Caroline van Eck , Stijn Bussels and Maarten Delbeke -- Francis Goyet -- Eugenio Refini -- Dietmar Till -- Paul J. Smith -- Hana Gründler -- Maarten Delbeke -- Stijn Bussels and Bram Van Oostveldt -- Helen Langdon -- Lydia Hamlett -- Caroline van Eck -- Sigrid de Jong -- |
title |
Translations of the sublime the early modern reception and dissemination of Longinus' Peri hupsous in rhetoric, the visual arts, architecture and the theatre / |
spellingShingle |
Translations of the sublime the early modern reception and dissemination of Longinus' Peri hupsous in rhetoric, the visual arts, architecture and the theatre / Intersections ; Preliminary Material -- Introduction / The Meaning of Apostrophè in Longinus’s On the Sublime (16, 2) / Longinus and Poetic Imagination in Late Renaissance Literary Theory / The Sublime and the Bible: Longinus, Protestant Dogmatics, and the “Sublime Style” / A l’aune du sublime : autour du « Parallèle de Corneille et Racine » (1688) de La Bruyère / Orrore, terrore, timore. Vasari und das Erhabene / Elevated Twins and the Vicious Sublime. Gianlorenzo Bernini and Louis XIV / “One never sees monsters without experiencing emotion”. Le merveilleux and the Sublime in Theories on French Performing Arts (1650–1750) / The Demosthenes of Painting. Salvator Rosa and the 17th century Sublime / The Longinian Sublime, Effect and Affect in ‘Baroque’ British Visual Culture / Figuring the Sublime in English Church Architecture 1640–1730 / Paradoxical Encounters. Eighteenth-Century Architectural Experiences and the Sublime / Index Nominum. |
title_sub |
the early modern reception and dissemination of Longinus' Peri hupsous in rhetoric, the visual arts, architecture and the theatre / |
title_full |
Translations of the sublime [electronic resource] : the early modern reception and dissemination of Longinus' Peri hupsous in rhetoric, the visual arts, architecture and the theatre / edited by Caroline van Eck ...[et. al.]. |
title_fullStr |
Translations of the sublime [electronic resource] : the early modern reception and dissemination of Longinus' Peri hupsous in rhetoric, the visual arts, architecture and the theatre / edited by Caroline van Eck ...[et. al.]. |
title_full_unstemmed |
Translations of the sublime [electronic resource] : the early modern reception and dissemination of Longinus' Peri hupsous in rhetoric, the visual arts, architecture and the theatre / edited by Caroline van Eck ...[et. al.]. |
title_auth |
Translations of the sublime the early modern reception and dissemination of Longinus' Peri hupsous in rhetoric, the visual arts, architecture and the theatre / |
title_alt |
Preliminary Material -- Introduction / The Meaning of Apostrophè in Longinus’s On the Sublime (16, 2) / Longinus and Poetic Imagination in Late Renaissance Literary Theory / The Sublime and the Bible: Longinus, Protestant Dogmatics, and the “Sublime Style” / A l’aune du sublime : autour du « Parallèle de Corneille et Racine » (1688) de La Bruyère / Orrore, terrore, timore. Vasari und das Erhabene / Elevated Twins and the Vicious Sublime. Gianlorenzo Bernini and Louis XIV / “One never sees monsters without experiencing emotion”. Le merveilleux and the Sublime in Theories on French Performing Arts (1650–1750) / The Demosthenes of Painting. Salvator Rosa and the 17th century Sublime / The Longinian Sublime, Effect and Affect in ‘Baroque’ British Visual Culture / Figuring the Sublime in English Church Architecture 1640–1730 / Paradoxical Encounters. Eighteenth-Century Architectural Experiences and the Sublime / Index Nominum. |
title_new |
Translations of the sublime |
title_sort |
translations of the sublime the early modern reception and dissemination of longinus' peri hupsous in rhetoric, the visual arts, architecture and the theatre / |
series |
Intersections ; |
series2 |
Intersections ; |
publisher |
Brill, |
publishDate |
2012 |
physical |
1 online resource (292 p.) |
contents |
Preliminary Material -- Introduction / The Meaning of Apostrophè in Longinus’s On the Sublime (16, 2) / Longinus and Poetic Imagination in Late Renaissance Literary Theory / The Sublime and the Bible: Longinus, Protestant Dogmatics, and the “Sublime Style” / A l’aune du sublime : autour du « Parallèle de Corneille et Racine » (1688) de La Bruyère / Orrore, terrore, timore. Vasari und das Erhabene / Elevated Twins and the Vicious Sublime. Gianlorenzo Bernini and Louis XIV / “One never sees monsters without experiencing emotion”. Le merveilleux and the Sublime in Theories on French Performing Arts (1650–1750) / The Demosthenes of Painting. Salvator Rosa and the 17th century Sublime / The Longinian Sublime, Effect and Affect in ‘Baroque’ British Visual Culture / Figuring the Sublime in English Church Architecture 1640–1730 / Paradoxical Encounters. Eighteenth-Century Architectural Experiences and the Sublime / Index Nominum. |
isbn |
1-283-63482-1 90-04-23433-0 90-04-22955-8 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PA - Latin and Greek |
callnumber-label |
PA4229 |
callnumber-sort |
PA 44229 L6 T68 42012 |
era_facet |
1st cent. |
illustrated |
Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
800 - Literature, rhetoric & criticism |
dewey-ones |
808 - Rhetoric & collections of literature |
dewey-full |
808 |
dewey-sort |
3808 |
dewey-raw |
808 |
dewey-search |
808 |
oclc_num |
813222816 |
work_keys_str_mv |
AT eckcarolinevan translationsofthesublimetheearlymodernreceptionanddisseminationoflonginusperihupsousinrhetoricthevisualartsarchitectureandthetheatre |
status_str |
n |
ids_txt_mv |
(CKB)2670000000263238 (EBL)1036958 (OCoLC)813222816 (SSID)ssj0000758716 (PQKBManifestationID)11435013 (PQKBTitleCode)TC0000758716 (PQKBWorkID)10781160 (PQKB)10325624 (MiAaPQ)EBC1036958 (nllekb)BRILL9789004234338 (Au-PeEL)EBL1036958 (CaPaEBR)ebr10608103 (CaONFJC)MIL394727 (PPN)174395809 (EXLCZ)992670000000263238 |
carrierType_str_mv |
cr |
hierarchy_sequence |
24. |
is_hierarchy_title |
Translations of the sublime the early modern reception and dissemination of Longinus' Peri hupsous in rhetoric, the visual arts, architecture and the theatre / |
author2_original_writing_str_mv |
noLinkedField |
_version_ |
1796652816941449216 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01352nam a2200337Ia 4500</leader><controlfield tag="001">993582400504498</controlfield><controlfield tag="005">20200520144314.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr#-n---------</controlfield><controlfield tag="008">120719s2012 maua ob 001 0 eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="z"> 2012023676</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1-283-63482-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">90-04-23433-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1163/9789004234338</subfield><subfield code="2">DOI</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)2670000000263238</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EBL)1036958</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)813222816</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(SSID)ssj0000758716</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBManifestationID)11435013</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBTitleCode)TC0000758716</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBWorkID)10781160</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKB)10325624</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC1036958</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(nllekb)BRILL9789004234338</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL1036958</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaPaEBR)ebr10608103</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaONFJC)MIL394727</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PPN)174395809</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)992670000000263238</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PA4229.L6</subfield><subfield code="b">T68 2012</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LAN</subfield><subfield code="x">005000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LAN</subfield><subfield code="x">015000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">REF</subfield><subfield code="x">026000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DS</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">LIT</subfield><subfield code="x">000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">808</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Translations of the sublime</subfield><subfield code="h">[electronic resource] :</subfield><subfield code="b">the early modern reception and dissemination of Longinus' Peri hupsous in rhetoric, the visual arts, architecture and the theatre /</subfield><subfield code="c">edited by Caroline van Eck ...[et. al.].</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Boston :</subfield><subfield code="b">Brill,</subfield><subfield code="c">2012.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (292 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Intersections ;</subfield><subfield code="v">24</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based upon print version of record.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Preliminary Material --</subfield><subfield code="t">Introduction /</subfield><subfield code="r">Caroline van Eck , Stijn Bussels and Maarten Delbeke --</subfield><subfield code="t">The Meaning of Apostrophè in Longinus’s On the Sublime (16, 2) /</subfield><subfield code="r">Francis Goyet --</subfield><subfield code="t">Longinus and Poetic Imagination in Late Renaissance Literary Theory /</subfield><subfield code="r">Eugenio Refini --</subfield><subfield code="t">The Sublime and the Bible: Longinus, Protestant Dogmatics, and the “Sublime Style” /</subfield><subfield code="r">Dietmar Till --</subfield><subfield code="t">A l’aune du sublime : autour du « Parallèle de Corneille et Racine » (1688) de La Bruyère /</subfield><subfield code="r">Paul J. Smith --</subfield><subfield code="t">Orrore, terrore, timore. Vasari und das Erhabene /</subfield><subfield code="r">Hana Gründler --</subfield><subfield code="t">Elevated Twins and the Vicious Sublime. Gianlorenzo Bernini and Louis XIV /</subfield><subfield code="r">Maarten Delbeke --</subfield><subfield code="t">“One never sees monsters without experiencing emotion”. Le merveilleux and the Sublime in Theories on French Performing Arts (1650–1750) /</subfield><subfield code="r">Stijn Bussels and Bram Van Oostveldt --</subfield><subfield code="t">The Demosthenes of Painting. Salvator Rosa and the 17th century Sublime /</subfield><subfield code="r">Helen Langdon --</subfield><subfield code="t">The Longinian Sublime, Effect and Affect in ‘Baroque’ British Visual Culture /</subfield><subfield code="r">Lydia Hamlett --</subfield><subfield code="t">Figuring the Sublime in English Church Architecture 1640–1730 /</subfield><subfield code="r">Caroline van Eck --</subfield><subfield code="t">Paradoxical Encounters. Eighteenth-Century Architectural Experiences and the Sublime /</subfield><subfield code="r">Sigrid de Jong --</subfield><subfield code="t">Index Nominum.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Contrary to widely held assumptions, the early modern revival of ps-Longinus' On the Sublime did not begin with the adaptation published by Boileau in 1674; it was not connected solely with the Greek editions that began to appear from 1554; nor was its impact limited to rhetoric and literature. Manuscript copies began to circulate in Quattrocento Italy, but very few have been studied. Neither have the ways the sublime was used, in rhetoric and literature, but also in the arts, architecture and the theatre been studied in any systematic way. The present volume is a first attempt to chart the early modern translations of Peri hupsous , both in the literal sense of the history of its dissemination by means of editions, versions and translations in Latin and vernacular languages, but also in the figurative sense of its uses and transformations in the visual arts in the period from the first early modern editions of Longinus until its popularization by Boileau. Contributors include Francis Goyet, Hana Gründler, Lydia Hamlett, Sigrid de Jong, Helen Langdon, Bram Van Oostveldt, Eugenio Refini, Paul Smith, and Dietmar Till.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Sublime, The, in art.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Arts, Modern</subfield><subfield code="x">Themes, motives.</subfield></datafield><datafield tag="600" ind1="0" ind2="0"><subfield code="a">Longinus,</subfield><subfield code="d">1st cent.</subfield><subfield code="t">On the sublime.</subfield></datafield><datafield tag="600" ind1="0" ind2="0"><subfield code="a">Longinus,</subfield><subfield code="d">1st cent.</subfield><subfield code="x">Appreciation.</subfield></datafield><datafield tag="776" ind1=" " ind2=" "><subfield code="z">90-04-22955-8</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Eck, Caroline van.</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Intersections</subfield><subfield code="v">24.</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2023-02-28 11:49:30 Europe/Vienna</subfield><subfield code="f">System</subfield><subfield code="c">marc21</subfield><subfield code="a">2012-11-04 08:45:13 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">Brill</subfield><subfield code="P">EBA Brill All</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5343293880004498&Force_direct=true</subfield><subfield code="Z">5343293880004498</subfield><subfield code="b">Available</subfield><subfield code="8">5343293880004498</subfield></datafield></record></collection> |