Radio as Art : : Concepts, Spaces, Practices / / ed. by Sarah Schönewald, Franziska Rauh, Maria Peters, Jee-Hae Kim, Ursula Frohne, Anne Thurmann-Jajes.

• Superior document: Title is part of eBook package: De Gruyter DG Plus eBook-Package 2019
• MitwirkendeR: Black, Colin,; Bull, Hank,; Filipowska, Roksana,; Frohne, Ursula,; Gheorghe, Irina,; Glahn, Philip,; Hagelüken, Andreas,; Hahn, Nadine,; Kim, Jee-Hae,; Kogawa, Tetsuo,; Mauruschat, Ania,; Omlin, Sibylle,; Pinto, Vito,; Rauh, Franziska,; Rosati, Lauren,; Rothe, Sarah,; Singer, Nathalie,; Thurmann-Jajes, Anne,; Washington, Sarah,; Wegener, Claudia,; Zeising, Andreas,; van Eikels, Kai,
• HerausgeberIn: Frohne, Ursula,; Kim, Jee-Hae,; Peters, Maria,; Rauh, Franziska,; Schönewald, Sarah,; Thurmann-Jajes, Anne,
• Place / Publishing House: Bielefeld : : transcript Verlag, , [2019]; ©2019
• Year of Publication: 2019
• Language: English
• Series: Schriftenreihe für Künstlerpublikationen ; 8
• Physical Description: 1 online resource (312 p.)

Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission. They have brought forth a great number of artistic practices. Up to and into the digital present radio has been - and still is - employed and explored as an apparatus-based structure as well as an (alternative) model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio. It also sheds light on the use of radio as a means of disseminating artistic concepts, and on questions of mediation of this art form.

Table of Contents

Frontmatter -- Contents -- Introduction -- The Editors -- "I am an artist. I am not anything else."1: -Robert Adrian Smith, 1935-2015 -- The Reception of Electricity: Art as Radio in Literature, Painting, and Performance -- On Radioart -- I. RADIO SPACE -- The Museum as an Agent of Radio Art -- Considering the Sonic Aspects of the Media Environment as an Exhibition Space for Creative Sound-Based Works -- The Avant-Garde and a Popular Medium: The Berlin Novembergruppe and Radio in the Weimar Republic -- II. RADIO ART: ARTISTIC PRODUCTION AND/OR POLITICAL PRACTICE -- The Radio and/as Digital Productivism -- Everyone a Listener, Everyone a Producer! A Collective Journey toward Another Sound of Radio -- Radio Art in the "... Everyday Hand-to-Hand Struggle with Apparatuses?" -- Radio as a "Minor" Art Practice -- III. INSTITUTIONAL FRAMING AND AGENCY -- Radio as a Research Medium for Artistic and Oral-History-Based Research Projects -- Community Radio as Post-Capitalist Art -- Radio Art as a Field of Study: The Experimentelles Radio Professorship at the Bauhaus- Universität Weimar -- Radio as Art? Heart or Gall Bladder? -- IV. RADIO ART AS ACTION -- In Simulcast: Archigram and Radio Piracy in 1960s Britain -- The Radio Voice That Is Telling Me to Go for the Throat of the Other: Two Lessons on Media Politics from LIGNA's Oedipus, Tyrant -- Doing Radio Art: Direct Media Association's Pacific Rim / Slow Scan -- Radio Prolife: Eavesdropping on Life -- V. WORDS-SOUND-MUSIC -- John Cage's Cinema for the Ear -- Peter Roehr's Sound Montages -- Hörspiel-Pop, Radio Opera, Media Art: On the Reinvention of the Hörspiel by Andreas Ammer and FM Einheit -- Listen and Participate: The Work of the Hörspielmacher Paul Plamper -- Dead Spot in Art History -- Author Biographies