Radio as Art : : Concepts, Spaces, Practices / / ed. by Sarah Schönewald, Franziska Rauh, Maria Peters, Jee-Hae Kim, Ursula Frohne, Anne Thurmann-Jajes.
Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission. They have brought forth a great number of artistic practices. Up to and into the digital present radio has been - and still is - employed and explored as an apparatus-based structu...
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Superior document: | Title is part of eBook package: De Gruyter DG Plus eBook-Package 2019 |
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Place / Publishing House: | Bielefeld : : transcript Verlag, , [2019] ©2019 |
Year of Publication: | 2019 |
Language: | English |
Series: | Schriftenreihe für Künstlerpublikationen ;
8 |
Online Access: | |
Physical Description: | 1 online resource (312 p.) |
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LEADER | 09153nam a22014415i 4500 | ||
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001 | 9783839436172 | ||
003 | DE-B1597 | ||
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024 | 7 | |a 10.1515/9783839436172 |2 doi | |
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035 | |a (OCoLC)1114832382 | ||
040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
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072 | 7 | |a ART057000 |2 bisacsh | |
082 | 0 | 4 | |8 3u |a 709.045 |q DE-101 |2 23/ger |
245 | 0 | 0 | |a Radio as Art : |b Concepts, Spaces, Practices / |c ed. by Sarah Schönewald, Franziska Rauh, Maria Peters, Jee-Hae Kim, Ursula Frohne, Anne Thurmann-Jajes. |
264 | 1 | |a Bielefeld : |b transcript Verlag, |c [2019] | |
264 | 4 | |c ©2019 | |
300 | |a 1 online resource (312 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Schriftenreihe für Künstlerpublikationen ; |v 8 | |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Introduction -- |t The Editors -- |t "I am an artist. I am not anything else."1: -Robert Adrian Smith, 1935-2015 -- |t The Reception of Electricity: Art as Radio in Literature, Painting, and Performance -- |t On Radioart -- |t I. RADIO SPACE -- |t The Museum as an Agent of Radio Art -- |t Considering the Sonic Aspects of the Media Environment as an Exhibition Space for Creative Sound-Based Works -- |t The Avant-Garde and a Popular Medium: The Berlin Novembergruppe and Radio in the Weimar Republic -- |t II. RADIO ART: ARTISTIC PRODUCTION AND/OR POLITICAL PRACTICE -- |t The Radio and/as Digital Productivism -- |t Everyone a Listener, Everyone a Producer! A Collective Journey toward Another Sound of Radio -- |t Radio Art in the "... Everyday Hand-to-Hand Struggle with Apparatuses?" -- |t Radio as a "Minor" Art Practice -- |t III. INSTITUTIONAL FRAMING AND AGENCY -- |t Radio as a Research Medium for Artistic and Oral-History-Based Research Projects -- |t Community Radio as Post-Capitalist Art -- |t Radio Art as a Field of Study: The Experimentelles Radio Professorship at the Bauhaus- Universität Weimar -- |t Radio as Art? Heart or Gall Bladder? -- |t IV. RADIO ART AS ACTION -- |t In Simulcast: Archigram and Radio Piracy in 1960s Britain -- |t The Radio Voice That Is Telling Me to Go for the Throat of the Other: Two Lessons on Media Politics from LIGNA's Oedipus, Tyrant -- |t Doing Radio Art: Direct Media Association's Pacific Rim / Slow Scan -- |t Radio Prolife: Eavesdropping on Life -- |t V. WORDS-SOUND-MUSIC -- |t John Cage's Cinema for the Ear -- |t Peter Roehr's Sound Montages -- |t Hörspiel-Pop, Radio Opera, Media Art: On the Reinvention of the Hörspiel by Andreas Ammer and FM Einheit -- |t Listen and Participate: The Work of the Hörspielmacher Paul Plamper -- |t Dead Spot in Art History -- |t Author Biographies |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission. They have brought forth a great number of artistic practices. Up to and into the digital present radio has been - and still is - employed and explored as an apparatus-based structure as well as an (alternative) model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio. It also sheds light on the use of radio as a means of disseminating artistic concepts, and on questions of mediation of this art form. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021) | |
650 | 4 | |a Analogue Media. | |
650 | 4 | |a Art Activism. | |
650 | 4 | |a Art. | |
650 | 4 | |a Artistic Practices. | |
650 | 4 | |a Fine Arts. | |
650 | 4 | |a Media Aesthetics. | |
650 | 4 | |a Media Art. | |
650 | 4 | |a Media. | |
650 | 4 | |a Perception. | |
650 | 4 | |a Performance. | |
650 | 4 | |a Popular Art. | |
650 | 4 | |a Sound. | |
650 | 4 | |a Space. | |
650 | 4 | |a Transmission Art. | |
650 | 7 | |a ART / Film & Video. |2 bisacsh | |
653 | |a Analogue Media. | ||
653 | |a Art Activism. | ||
653 | |a Art. | ||
653 | |a Artistic Practices. | ||
653 | |a Fine Arts. | ||
653 | |a Media Aesthetics. | ||
653 | |a Media Art. | ||
653 | |a Media. | ||
653 | |a Perception. | ||
653 | |a Performance. | ||
653 | |a Popular Art. | ||
653 | |a Sound. | ||
653 | |a Space. | ||
653 | |a Transmission Art. | ||
700 | 1 | |a Black, Colin, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Bull, Hank, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Filipowska, Roksana, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Frohne, Ursula, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Frohne, Ursula, |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
700 | 1 | |a Gheorghe, Irina, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Glahn, Philip, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Hagelüken, Andreas, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Hahn, Nadine, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Kim, Jee-Hae, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Kim, Jee-Hae, |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
700 | 1 | |a Kogawa, Tetsuo, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Mauruschat, Ania, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Omlin, Sibylle, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Peters, Maria, |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
700 | 1 | |a Pinto, Vito, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Rauh, Franziska, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Rauh, Franziska, |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
700 | 1 | |a Rosati, Lauren, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Rothe, Sarah, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Schönewald, Sarah, |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
700 | 1 | |a Singer, Nathalie, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Thurmann-Jajes, Anne, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Thurmann-Jajes, Anne, |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
700 | 1 | |a Washington, Sarah, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Wegener, Claudia, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Zeising, Andreas, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a van Eikels, Kai, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DG Plus eBook-Package 2019 |z 9783110719567 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Arts 2019 |z 9783110605785 |o ZDB-23-DPK |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE Arts, Architecture and Design 2019 English |z 9783110610017 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2019 English |z 9783110610765 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t EBOOK PACKAGE COMPLETE 2019 |z 9783110664232 |o ZDB-23-DGG |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t transcript English Frontlist eBook-Package 2019 |z 9783110662771 |
776 | 0 | |c print |z 9783837636178 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9783839436172?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9783839436172 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9783839436172/original |
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912 | |a 978-3-11-066277-1 transcript English Frontlist eBook-Package 2019 |b 2019 | ||
912 | |a 978-3-11-071956-7 DG Plus eBook-Package 2019 |b 2019 | ||
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