Main Melody Films : : Hong Kong Directors in Mainland China / / Stephen Yiu-Wai Chu.
Provides an in-depth study of Hong Kong directors’ participation in Chinese 'main-melody' blockbusters in the 2010sSheds light on the development of cross-border cooperation of Mainland and Hong Kong film industries, and general film studies regarding cross-cultural collaborationsExplores...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2022 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Studies in East Asian Film : ESEAF
|
Online Access: | |
Physical Description: | 1 online resource (288 p.) :; 1 B/W tables |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Acknowledgements
- A Note on Romanisation, Translation and Box Office Records
- Introduction: Main(land) Melody Films and Hong Kong Directors
- 1 How to Take Tiger Mountain? The Tsui Hark Model
- 2 Will Our Time Come? Ann Hui’s Fallen City
- 3 Hong Kong Dreams in Mainland China: The Leap of Peter Chan
- 4 Founding an Army with Soft Power: Captain Andrew Lau
- 5 Stepping to the Fore: Dante Lam’s Operation Trilogy
- 6 Underneath the Shock Waves: The (Un)told Stories of Herman Yau
- 7 Jumping on the Bandwagon: The Ensemble of Hong Kong Film Directors
- Epilogue
- Select Bibliography
- Filmography
- Glossary
- Index