Theatre Through the Camera Eye : : The Poetics of an Intermedial Encounter /

Theatre Through the Camera Eye : : The Poetics of an Intermedial Encounter / / Laura Sava.

Closely examines instances of theatre-in-film, in dialogue with the theory of intermedialityHow do we experience theatre through film? Laura Sava critically engages with the filmic representation of theatre, focusing on a selection of art house and independent films which provide a sophisticated com...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019
VerfasserIn:
Sava, Laura,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2019
Year of Publication:2022
Language:English
Series:Edinburgh Studies in Film and Intermediality : ESFI
Online Access:
Physical Description:1 online resource (256 p.) :; 12 B/W illustrations
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Table of Contents:
  • Frontmatter
  • Contents
  • Figures
  • Acknowledgements
  • INTRODUCTION: Accommodating Difference: The Filmic Representation of Theatre
  • Part I. Theatre, Interrupted: Strategies of Intermedial Embedment
  • Introduction
  • CHAPTER ONE. No Strings Attached: Filming Puppets in Movement
  • CHAPTER TWO. Theatre, Memory and the Framing Voice
  • CHAPTER THREE. The Making and Unmaking of Theatre Rehearsals on Screen
  • Part II. Divided Attention: Intermedial Performers and their Split Audience
  • Introduction
  • CHAPTER FOUR. Spectatorship by Proxy meets Multimodal Performance
  • CHAPTER FIVE. Cinematic Monologues and their Spectatorial Address
  • Epilogue
  • Bibliography
  • Index

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