Theatre Through the Camera Eye : : The Poetics of an Intermedial Encounter / / Laura Sava.
Closely examines instances of theatre-in-film, in dialogue with the theory of intermedialityHow do we experience theatre through film? Laura Sava critically engages with the filmic representation of theatre, focusing on a selection of art house and independent films which provide a sophisticated com...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2019 |
Udgivelsesår: | 2022 |
Sprog: | English |
Serier: | Edinburgh Studies in Film and Intermediality : ESFI
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Fysisk beskrivelse: | 1 online resource (256 p.) :; 12 B/W illustrations |
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9780748697489 |
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(DE-B1597)615822 (OCoLC)1312726969 |
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Sava, Laura, author. aut http://id.loc.gov/vocabulary/relators/aut Theatre Through the Camera Eye : The Poetics of an Intermedial Encounter / Laura Sava. Edinburgh : Edinburgh University Press, [2022] ©2019 1 online resource (256 p.) : 12 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Edinburgh Studies in Film and Intermediality : ESFI Frontmatter -- Contents -- Figures -- Acknowledgements -- INTRODUCTION: Accommodating Difference: The Filmic Representation of Theatre -- Part I. Theatre, Interrupted: Strategies of Intermedial Embedment -- Introduction -- CHAPTER ONE. No Strings Attached: Filming Puppets in Movement -- CHAPTER TWO. Theatre, Memory and the Framing Voice -- CHAPTER THREE. The Making and Unmaking of Theatre Rehearsals on Screen -- Part II. Divided Attention: Intermedial Performers and their Split Audience -- Introduction -- CHAPTER FOUR. Spectatorship by Proxy meets Multimodal Performance -- CHAPTER FIVE. Cinematic Monologues and their Spectatorial Address -- Epilogue -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Closely examines instances of theatre-in-film, in dialogue with the theory of intermedialityHow do we experience theatre through film? Laura Sava critically engages with the filmic representation of theatre, focusing on a selection of art house and independent films which provide a sophisticated commentary on the interaction between the two media. Through an in-depth analysis of films such as Jacques Rivette’s L’Amour fou, Pedro Almodóvar’s All About My Mother and Charlie Kaufman’s Synecdoche, New York, this book analyses the embedment of theatre in film and the notion of spectatorial address. Using textual analysis in conjunction with concepts derived from narratology, performance philosophy, and film and theatre phenomenology, it explores the mechanisms of representation involved in the intermedial diegetisation of theatre in film.Key featuresProvides a detailed study of the ways in which film can accommodate theatre Integrates the close reading of films with the theory of intermediality, with insights from both film and theatre theoryIncludes case studies of works by major directors, such as Pedro Almodóvar, John Cassavetes, Jacques Rivette, Eric Rohmer, Manoel de Oliveira, Theo Angelopoulos and Takeshi KitanoCase studies include:The Double Life of Véronique (Krzysztof Kieślowski, 1991)Dolls (Takeshi Kitano, 2002)The Jester (José Álvaro Morais, 1987)All About My Mother (Pedro Almodóvar, 1999)L’Amour fou (Jacques Rivette, 1969)Synecdoche, New York (Charlie Kaufman, 2008)Opening Night (John Cassavetes, 1977)A Tale of Winter (Eric Rohmer, 1992)I’m Going Home (Manoel de Oliveira, 2001)The Travelling Players (Theo Angelopoulos, 1975)My Dinner with André (Louis Malle, 1981)Swimming to Cambodia (Jonathan Demme, 1987)Monster in a Box (Nick Broomfield, 1992)The Arbor (Clio Barnard, 2010) Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Theater in motion pictures. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 9783110780420 print 9780748697472 https://doi.org/10.1515/9780748697489 https://www.degruyter.com/isbn/9780748697489 Cover https://www.degruyter.com/document/cover/isbn/9780748697489/original |
language |
English |
format |
eBook |
author |
Sava, Laura, Sava, Laura, |
spellingShingle |
Sava, Laura, Sava, Laura, Theatre Through the Camera Eye : The Poetics of an Intermedial Encounter / Edinburgh Studies in Film and Intermediality : ESFI Frontmatter -- Contents -- Figures -- Acknowledgements -- INTRODUCTION: Accommodating Difference: The Filmic Representation of Theatre -- Part I. Theatre, Interrupted: Strategies of Intermedial Embedment -- Introduction -- CHAPTER ONE. No Strings Attached: Filming Puppets in Movement -- CHAPTER TWO. Theatre, Memory and the Framing Voice -- CHAPTER THREE. The Making and Unmaking of Theatre Rehearsals on Screen -- Part II. Divided Attention: Intermedial Performers and their Split Audience -- CHAPTER FOUR. Spectatorship by Proxy meets Multimodal Performance -- CHAPTER FIVE. Cinematic Monologues and their Spectatorial Address -- Epilogue -- Bibliography -- Index |
author_facet |
Sava, Laura, Sava, Laura, |
author_variant |
l s ls l s ls |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Sava, Laura, |
title |
Theatre Through the Camera Eye : The Poetics of an Intermedial Encounter / |
title_sub |
The Poetics of an Intermedial Encounter / |
title_full |
Theatre Through the Camera Eye : The Poetics of an Intermedial Encounter / Laura Sava. |
title_fullStr |
Theatre Through the Camera Eye : The Poetics of an Intermedial Encounter / Laura Sava. |
title_full_unstemmed |
Theatre Through the Camera Eye : The Poetics of an Intermedial Encounter / Laura Sava. |
title_auth |
Theatre Through the Camera Eye : The Poetics of an Intermedial Encounter / |
title_alt |
Frontmatter -- Contents -- Figures -- Acknowledgements -- INTRODUCTION: Accommodating Difference: The Filmic Representation of Theatre -- Part I. Theatre, Interrupted: Strategies of Intermedial Embedment -- Introduction -- CHAPTER ONE. No Strings Attached: Filming Puppets in Movement -- CHAPTER TWO. Theatre, Memory and the Framing Voice -- CHAPTER THREE. The Making and Unmaking of Theatre Rehearsals on Screen -- Part II. Divided Attention: Intermedial Performers and their Split Audience -- CHAPTER FOUR. Spectatorship by Proxy meets Multimodal Performance -- CHAPTER FIVE. Cinematic Monologues and their Spectatorial Address -- Epilogue -- Bibliography -- Index |
title_new |
Theatre Through the Camera Eye : |
title_sort |
theatre through the camera eye : the poetics of an intermedial encounter / |
series |
Edinburgh Studies in Film and Intermediality : ESFI |
series2 |
Edinburgh Studies in Film and Intermediality : ESFI |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (256 p.) : 12 B/W illustrations |
contents |
Frontmatter -- Contents -- Figures -- Acknowledgements -- INTRODUCTION: Accommodating Difference: The Filmic Representation of Theatre -- Part I. Theatre, Interrupted: Strategies of Intermedial Embedment -- Introduction -- CHAPTER ONE. No Strings Attached: Filming Puppets in Movement -- CHAPTER TWO. Theatre, Memory and the Framing Voice -- CHAPTER THREE. The Making and Unmaking of Theatre Rehearsals on Screen -- Part II. Divided Attention: Intermedial Performers and their Split Audience -- CHAPTER FOUR. Spectatorship by Proxy meets Multimodal Performance -- CHAPTER FIVE. Cinematic Monologues and their Spectatorial Address -- Epilogue -- Bibliography -- Index |
isbn |
9780748697489 9783110780420 9780748697472 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 T48 S29 42019 |
url |
https://doi.org/10.1515/9780748697489 https://www.degruyter.com/isbn/9780748697489 https://www.degruyter.com/document/cover/isbn/9780748697489/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.1515/9780748697489 |
oclc_num |
1312726969 |
work_keys_str_mv |
AT savalaura theatrethroughthecameraeyethepoeticsofanintermedialencounter |
status_str |
n |
ids_txt_mv |
(DE-B1597)615822 (OCoLC)1312726969 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 |
is_hierarchy_title |
Theatre Through the Camera Eye : The Poetics of an Intermedial Encounter / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 |
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1770176380485500928 |
fullrecord |
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