The Cinema of Wes Anderson : : Bringing Nostalgia to Life / / Whitney Crothers Dilley.
Wes Anderson is considered one of the most important directors of the post-Baby Boom generation, making films such as Rushmore (1998) and The Royal Tenenbaums (2001) in a style so distinctive that his films are often recognizable from a single frame. Through the travelogue The Darjeeling Limited (20...
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2017] ©2017 |
Year of Publication: | 2017 |
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Dilley, Whitney Crothers, author. aut http://id.loc.gov/vocabulary/relators/aut The Cinema of Wes Anderson : Bringing Nostalgia to Life / Whitney Crothers Dilley. New York, NY : Columbia University Press, [2017] ©2017 1 online resource : 24 b&w illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Directors' Cuts Frontmatter -- Contents -- Acknowledgments -- 1 Introduction: Wes Anderson as Auteur - A History -- 2 Wes Anderson: His Position in American Cinema and Culture -- 3 Gender, Youth, and the Exploration of Masculinity in Bottle Rocket -- 4 "Sic Transit Gloria": Transgressing the Boundaries of Adolescence in Rushmore -- 5 The Interplay of Narrative Text, Language, and Film: Literary Influence and Intertextuality in The Royal Tenenbaums -- 6 Opposition and Resolution: The Dissonance of Celebrity in The Life Aquatic with Steve Zissou -- 7 Fragmentary Narratives/Incomplete Identities in The Darjeeling Limited -- 8 Adaptation and Homage: The World of Roald Dahl and Fantastic Mr. Fox -- 9 Reconstitution of the "Family" and Construction of Normalized Gender in Moonrise Kingdom -- 10 Literary Influence and Memory: Stefan Zweig and The Grand Budapest Hotel -- 11 Wes Anderson's Short Films and Commercial Work -- Conclusion: Memory and Narrative in the Works of Wes Anderson -- Filmography -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Wes Anderson is considered one of the most important directors of the post-Baby Boom generation, making films such as Rushmore (1998) and The Royal Tenenbaums (2001) in a style so distinctive that his films are often recognizable from a single frame. Through the travelogue The Darjeeling Limited (2007) and the stop-motion animation of Fantastic Mr. Fox (2009), his films examine issues of gender, race, and class through dysfunctional family dynamics, with particular focus on masculinity and male bonding. Anderson's auteur status is enriched by his fascination with Truffaut and the French New Wave, as well as his authorship of every one of his screenplays, drawing on influences as diverse as Mark Twain, J. D. Salinger, Roald Dahl, and Stefan Zweig. Works such as Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014) continue to fascinate with their postmodern, hyper-nostalgic attention to detail. This book explores the filmic and literary influences that have helped make Anderson a major voice in 21st century "indie" culture, and reveals why Wes Anderson is one of the most inventive filmmakers working in cinema today. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Motion picture producers and directors United States. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2017 9783110543308 print 9780231180689 https://doi.org/10.7312/dill18068 https://www.degruyter.com/isbn/9780231543200 Cover https://www.degruyter.com/document/cover/isbn/9780231543200/original |
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English |
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eBook |
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Dilley, Whitney Crothers, Dilley, Whitney Crothers, |
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Dilley, Whitney Crothers, Dilley, Whitney Crothers, The Cinema of Wes Anderson : Bringing Nostalgia to Life / Directors' Cuts Frontmatter -- Contents -- Acknowledgments -- 1 Introduction: Wes Anderson as Auteur - A History -- 2 Wes Anderson: His Position in American Cinema and Culture -- 3 Gender, Youth, and the Exploration of Masculinity in Bottle Rocket -- 4 "Sic Transit Gloria": Transgressing the Boundaries of Adolescence in Rushmore -- 5 The Interplay of Narrative Text, Language, and Film: Literary Influence and Intertextuality in The Royal Tenenbaums -- 6 Opposition and Resolution: The Dissonance of Celebrity in The Life Aquatic with Steve Zissou -- 7 Fragmentary Narratives/Incomplete Identities in The Darjeeling Limited -- 8 Adaptation and Homage: The World of Roald Dahl and Fantastic Mr. Fox -- 9 Reconstitution of the "Family" and Construction of Normalized Gender in Moonrise Kingdom -- 10 Literary Influence and Memory: Stefan Zweig and The Grand Budapest Hotel -- 11 Wes Anderson's Short Films and Commercial Work -- Conclusion: Memory and Narrative in the Works of Wes Anderson -- Filmography -- Bibliography -- Index |
author_facet |
Dilley, Whitney Crothers, Dilley, Whitney Crothers, |
author_variant |
w c d wc wcd w c d wc wcd |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Dilley, Whitney Crothers, |
title |
The Cinema of Wes Anderson : Bringing Nostalgia to Life / |
title_sub |
Bringing Nostalgia to Life / |
title_full |
The Cinema of Wes Anderson : Bringing Nostalgia to Life / Whitney Crothers Dilley. |
title_fullStr |
The Cinema of Wes Anderson : Bringing Nostalgia to Life / Whitney Crothers Dilley. |
title_full_unstemmed |
The Cinema of Wes Anderson : Bringing Nostalgia to Life / Whitney Crothers Dilley. |
title_auth |
The Cinema of Wes Anderson : Bringing Nostalgia to Life / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- 1 Introduction: Wes Anderson as Auteur - A History -- 2 Wes Anderson: His Position in American Cinema and Culture -- 3 Gender, Youth, and the Exploration of Masculinity in Bottle Rocket -- 4 "Sic Transit Gloria": Transgressing the Boundaries of Adolescence in Rushmore -- 5 The Interplay of Narrative Text, Language, and Film: Literary Influence and Intertextuality in The Royal Tenenbaums -- 6 Opposition and Resolution: The Dissonance of Celebrity in The Life Aquatic with Steve Zissou -- 7 Fragmentary Narratives/Incomplete Identities in The Darjeeling Limited -- 8 Adaptation and Homage: The World of Roald Dahl and Fantastic Mr. Fox -- 9 Reconstitution of the "Family" and Construction of Normalized Gender in Moonrise Kingdom -- 10 Literary Influence and Memory: Stefan Zweig and The Grand Budapest Hotel -- 11 Wes Anderson's Short Films and Commercial Work -- Conclusion: Memory and Narrative in the Works of Wes Anderson -- Filmography -- Bibliography -- Index |
title_new |
The Cinema of Wes Anderson : |
title_sort |
the cinema of wes anderson : bringing nostalgia to life / |
series |
Directors' Cuts |
series2 |
Directors' Cuts |
publisher |
Columbia University Press, |
publishDate |
2017 |
physical |
1 online resource : 24 b&w illustrations Issued also in print. |
contents |
Frontmatter -- Contents -- Acknowledgments -- 1 Introduction: Wes Anderson as Auteur - A History -- 2 Wes Anderson: His Position in American Cinema and Culture -- 3 Gender, Youth, and the Exploration of Masculinity in Bottle Rocket -- 4 "Sic Transit Gloria": Transgressing the Boundaries of Adolescence in Rushmore -- 5 The Interplay of Narrative Text, Language, and Film: Literary Influence and Intertextuality in The Royal Tenenbaums -- 6 Opposition and Resolution: The Dissonance of Celebrity in The Life Aquatic with Steve Zissou -- 7 Fragmentary Narratives/Incomplete Identities in The Darjeeling Limited -- 8 Adaptation and Homage: The World of Roald Dahl and Fantastic Mr. Fox -- 9 Reconstitution of the "Family" and Construction of Normalized Gender in Moonrise Kingdom -- 10 Literary Influence and Memory: Stefan Zweig and The Grand Budapest Hotel -- 11 Wes Anderson's Short Films and Commercial Work -- Conclusion: Memory and Narrative in the Works of Wes Anderson -- Filmography -- Bibliography -- Index |
isbn |
9780231543200 9783110543308 9780231180689 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1998 |
callnumber-sort |
PN 41998.3 A526 D55 42017 |
geographic_facet |
United States. |
url |
https://doi.org/10.7312/dill18068 https://www.degruyter.com/isbn/9780231543200 https://www.degruyter.com/document/cover/isbn/9780231543200/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430233092 |
dewey-sort |
3791.430233092 |
dewey-raw |
791.430233092 |
dewey-search |
791.430233092 |
doi_str_mv |
10.7312/dill18068 |
oclc_num |
1023545837 |
work_keys_str_mv |
AT dilleywhitneycrothers thecinemaofwesandersonbringingnostalgiatolife AT dilleywhitneycrothers cinemaofwesandersonbringingnostalgiatolife |
status_str |
n |
ids_txt_mv |
(DE-B1597)489412 (OCoLC)1023545837 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2017 |
is_hierarchy_title |
The Cinema of Wes Anderson : Bringing Nostalgia to Life / |
container_title |
Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2017 |
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