The Cinema of Paul Thomas Anderson : : American Apocrypha / / Ethan Warren.

• Superior document: Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2023
• VerfasserIn: Warren, Ethan,
• MitwirkendeR: Zoladz, Lindsay,
• Place / Publishing House: New York, NY : : Columbia University Press, , [2023]; ©2023
• Year of Publication: 2023
• Language: English
• Series: Directors' Cuts
• Physical Description: 1 online resource :; 24 film stills
• Other title: Frontmatter --; CONTENTS --; ACKNOWLEDGMENTS --; F O R EWORD --; I N T RODUCTION --; One On Paul Thomas Anderson’s Career to Date --; Two On Places and Spaces --; Three On Influences --; Four On Domesticity --; Five On Screenwriting --; Six On Gender Performance --; Seven On Alienation Effects --; Eight On Faith and Belief --; Nine On Music Videos --; Ten On History --; Notes --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780231555609; 9783110749670; 9783111318103; 9783111319032; 9783111319292; 9783111318912
• DOI: 10.7312/warr20458
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Ethan Warren.

Paul Thomas Anderson’s evolution from a brash, self-anointed “Indiewood” auteur to one of his generation’s most distinctive voices has been one of the most remarkable career trajectories in recent film history. From early efforts to emulate his cinematic heroes to his increasingly singular late films, Anderson has created a body of work that balances the familiar and the strange, history and myth: viewers feel perpetually off balance, unsure of whether to expect a pitch-black joke or a moment of piercing emotional resonance.This book provides the most complete account of Anderson’s career to date, encompassing his varied side projects and unproduced material; his personal and professional relationships with directors such as Jonathan Demme, Robert Altman, and Robert Downey Sr.; and his work as a director of music videos for Fiona Apple, Joanna Newsom, and Haim. Ethan Warren explores Anderson’s recurring thematic preoccupations—the fraught dynamics of gender and religious faith, biological and found families, and his native San Fernando Valley—as well as his screenwriting methods and his relationship to his influences. Warren argues that Anderson’s films conjure up an alternate American history that exaggerates and elides verifiable facts in search of a heightened truth marked by a deeper level of emotional hyperrealism. This book is at once an unconventional primer on Anderson’s films and a provocative reframing of what makes his work so essential.