Blossoms and blood : : postmodern media culture and the films of Paul Thomas Anderson / / Jason Sperb.
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Place / Publishing House: | Austin : : University of Texas Press,, [2013] 2013 |
Godina izdanja: | 2013 |
Jezik: | English |
Online pristup: | |
Opis: | 1 online resource (297 pages) |
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5003443698 |
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ctrlnum |
(MiAaPQ)5003443698 (Au-PeEL)EBL3443698 (CaPaEBR)ebr10768931 (OCoLC)899045092 |
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bib_alma |
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Sperb, Jason, 1978- Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / Jason Sperb. Austin : University of Texas Press, [2013] 2013 1 online resource (297 pages) text rdacontent computer rdamedia online resource rdacarrier Includes bibliographical references and index. Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index. Description based on online resource; title from PDF title page (ebrary, viewed October 11, 2013). Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. Anderson, Paul Thomas Criticism and interpretation. Motion picture producers and directors. Electronic books. ProQuest (Firm) https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=3443698 Click to View |
language |
English |
format |
eBook |
author |
Sperb, Jason, 1978- |
spellingShingle |
Sperb, Jason, 1978- Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index. |
author_facet |
Sperb, Jason, 1978- |
author_variant |
j s js |
author_sort |
Sperb, Jason, 1978- |
title |
Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / |
title_sub |
postmodern media culture and the films of Paul Thomas Anderson / |
title_full |
Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / Jason Sperb. |
title_fullStr |
Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / Jason Sperb. |
title_full_unstemmed |
Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / Jason Sperb. |
title_auth |
Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / |
title_new |
Blossoms and blood : |
title_sort |
blossoms and blood : postmodern media culture and the films of paul thomas anderson / |
publisher |
University of Texas Press, |
publishDate |
2013 |
physical |
1 online resource (297 pages) |
contents |
Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index. |
isbn |
9780292752917 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1998 |
callnumber-sort |
PN 41998.3 A5255 S64 42013 |
genre |
Electronic books. |
genre_facet |
Electronic books. |
url |
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=3443698 |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.4302/33092 |
dewey-sort |
3791.4302 533092 |
dewey-raw |
791.4302/33092 |
dewey-search |
791.4302/33092 |
oclc_num |
899045092 |
work_keys_str_mv |
AT sperbjason blossomsandbloodpostmodernmediacultureandthefilmsofpaulthomasanderson |
status_str |
n |
ids_txt_mv |
(MiAaPQ)5003443698 (Au-PeEL)EBL3443698 (CaPaEBR)ebr10768931 (OCoLC)899045092 |
is_hierarchy_title |
Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / |
_version_ |
1792330881653800960 |
fullrecord |
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