Blossoms and blood : : postmodern media culture and the films of Paul Thomas Anderson /

Blossoms and blood : : postmodern media culture and the films of Paul Thomas Anderson / / Jason Sperb.

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Sperb, Jason, 1978-
Place / Publishing House:Austin : : University of Texas Press,, [2013]
2013
Year of Publication:2013
Language:English
Online Access:
Physical Description:1 online resource (297 pages)
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id 5003443698
ctrlnum (MiAaPQ)5003443698
(Au-PeEL)EBL3443698
(CaPaEBR)ebr10768931
(OCoLC)899045092
collection bib_alma
record_format marc
spelling Sperb, Jason, 1978-
Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / Jason Sperb.
Austin : University of Texas Press, [2013]
2013
1 online resource (297 pages)
text rdacontent
computer rdamedia
online resource rdacarrier
Includes bibliographical references and index.
Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index.
Description based on online resource; title from PDF title page (ebrary, viewed October 11, 2013).
Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.
Anderson, Paul Thomas Criticism and interpretation.
Motion picture producers and directors.
Electronic books.
ProQuest (Firm)
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=3443698 Click to View
language English
format eBook
author Sperb, Jason, 1978-
spellingShingle Sperb, Jason, 1978-
Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson /
Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index.
author_facet Sperb, Jason, 1978-
author_variant j s js
author_sort Sperb, Jason, 1978-
title Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson /
title_sub postmodern media culture and the films of Paul Thomas Anderson /
title_full Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / Jason Sperb.
title_fullStr Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / Jason Sperb.
title_full_unstemmed Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson / Jason Sperb.
title_auth Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson /
title_new Blossoms and blood :
title_sort blossoms and blood : postmodern media culture and the films of paul thomas anderson /
publisher University of Texas Press,
publishDate 2013
physical 1 online resource (297 pages)
contents Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index.
isbn 9780292752917
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1998
callnumber-sort PN 41998.3 A5255 S64 42013
genre Electronic books.
genre_facet Electronic books.
url https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=3443698
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.4302/33092
dewey-sort 3791.4302 533092
dewey-raw 791.4302/33092
dewey-search 791.4302/33092
oclc_num 899045092
work_keys_str_mv AT sperbjason blossomsandbloodpostmodernmediacultureandthefilmsofpaulthomasanderson
status_str n
ids_txt_mv (MiAaPQ)5003443698
(Au-PeEL)EBL3443698
(CaPaEBR)ebr10768931
(OCoLC)899045092
is_hierarchy_title Blossoms and blood : postmodern media culture and the films of Paul Thomas Anderson /
_version_ 1792330881653800960
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