Images of traumatic memories : : intersections of literature and photography in the novels of Riggs, Safran Foer and Seiffert /

Images of traumatic memories : : intersections of literature and photography in the novels of Riggs, Safran Foer and Seiffert / / Anja Meyer.

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Superior document:Interfacing Science, Literature, and the Humanities. ; v.14
VerfasserIn:
Meyer, Anja, 1966-
Place / Publishing House:Göttingen, Germany : : V&R Unipress,, [2021]
©2021
Bliain Foilsithe:2021
Eagrán:1st ed.
Teanga:English
Sraith:Interfacing Science, Literature, and the Humanities.
Cur Síos Fisiciúil:1 online resource (175 pages)
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Clár Ábhair:
  • Intro
  • Title Page
  • Copyright
  • Table of Contents
  • Body
  • Abstract
  • Introduction
  • I. Image-Text Relationship: An Interdisciplinary Theoretical Framework
  • 1. Word-Image Relationship
  • 1.1. Ut Pictura Poesis
  • 1.2. Barthes and the Third Meaning
  • 1.3. The Pictorial Turn
  • 2. The Photographic Language
  • 2.1. The Age of Literary Realism
  • 2.2. Baudelaire and the First Critics
  • 2.3. Photography and Nostalgia
  • 2.4. Photography's Optical Unconscious
  • 3. Trauma: Between Science and Culture
  • 3.1. The History of the Psychiatric and Psychological Concept of Trauma
  • 3.2. Neurophysiological Effects of Trauma
  • 3.3. Trauma and Memory
  • 3.4. Cultural and Literary Memory
  • 3.5. Photography as Memory Text
  • 3.6. The Generation of Postmemory
  • 4. Intermediality
  • 4.1. What is a Medium?
  • 4.2. The Literary Montage
  • 4.3. Defining Intermediality
  • 4.4. Fiction-Photography Interaction
  • II. The Spectral Evidence of Photographs: The Dark Room
  • 1. Themes and Narrative Structure
  • 2. Helmut: the Photographic Perspective
  • 3. Lore: the Optical Aperture
  • 4. Micha: the Photographic Development
  • III. A Peculiar Narrative Photo-album: Miss Peregrine's Home For Peculiar Children
  • 1. Talking Pictures
  • 2. Themes and Narrative Structure
  • 3. Peculiar Photographs
  • 4. A Temporal Loop
  • 5. Postmemory and the Peculiars
  • 6. The Aesthetic of Peculiars as Freaks
  • IV. The Crisis of Memory in the Visual Era: Extremely Loud and Incredibly Close
  • 1. Themes and Narrative Structure
  • 2. Narrative Witnessing
  • 3. Codes of Communication
  • 4. The Use of Photographs
  • 5. The Use of Typography
  • 6. The Falling Man
  • 6.1. Photographing Trauma on 9/11
  • 6.2. Trauma and Media
  • 6.3. The Flip Book
  • References
  • Novels and Photo-collections
  • On Visual Studies, Media and Culture
  • On Photography, Memory and Trauma Studies.
  • Further Literary and Cultural References
  • Web Resources
  • Index of Names
  • Subject Index.

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