Samuel Beckett's Endgame / edited by Mark S. Byron.
This collection of essays – the first volume in the Dialogue series – brings together new and experienced scholars to present innovative critical approaches to Samuel Beckett’s play Endgame . These essays broach a broad range of topics, many of which are inherently controversial and have generated s...
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| Superior document: | Dialogue ; 1 |
|---|---|
| TeilnehmendeR: | |
| Year of Publication: | 2007 |
| Language: | English |
| Series: | Dialogue (Rodopi (Firm)) ;
1. |
| Physical Description: | 1 online resource (304 p.) |
| Notes: | A collection of essays. |
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Table of Contents:
- Preliminary Material
- ‘Hard-to-hear Music in Endgame’ / Thomas Mansell
- Re-Evaluating Endgame / Colin Duckworth
- Memory and Its Devices in Endgame / Jane E. Gatewood
- Paul Ricoeur and Watching Endgame / Michael Guest
- Endgame’s Remainders / Russell Smith
- Bare interiors, chicken wire cages and subway stations—re-thinking Beckett’s response to the ART Endgame in light of earlier productions / Natka Bianchini
- Trans-cultural Endgame/s / Antonia Rodríguez-Gago
- Masking and the Social Construct of the Body in Beckett’s Endgame / Mary F. Catanzaro
- Hamm Stammered: Beckett, Deleuze, and the Atmospheric Stuttering of Endgame / Paul Shields
- But Why Shakespeare? The Muted Role of Dickens in Endgame / Paul Stewart
- Hamming it up in Endgame: A Theatrical Reading / Kate Dorney
- Endgame and Performance / Julie Campbell
- Essay Abstracts
- About the Authors
- Index.