Les mystères : : studies in genre, text and theatricality / / edited by Peter Happé and Wim Hüsken.

• Superior document: Ludus : medieval and early Renaissance theatre and drama, 12
• TeilnehmendeR: Happé, Peter.; Hüsken, Wim N. M.
• Place / Publishing House: Amsterdam ;, New York : : Rodopi,, 2012.
• Year of Publication: 2012
• Language: English
• Series: Ludus 12.
• Physical Description: 1 online resource (321 p.)
• Notes: Description based upon print version of record.
• Other title: Preliminary Material --; Introduction /; Mystère, Farce, Moralité: A Reflection upon the Poetics of Drama in the Middle Ages Based on Ms. BnF fr. 904, Passion de Semur (Fifteenth Century), and Some Other Burgundian Manuscripts /; The Theatricality of Pre- and Post-Performance French Mystery Play Texts /; Michel Adapts Gréban: Some Aspects of the Passion Sequence /; Chantilly, Musée Condé, Ms. 617: Mystères as Convent Drama /; ‘Haro! Haro! Sus, dyablerie’: The Theatricality of Devils in Temptation Sequences /; Le Mystère de Saint Sébastien’s Villain: “No Cuckoo is a Sparrowhawk” /; La Pucelle and the Godons in the Mistère du Siège d’Orléans: Civic Pageantry and Popular Tradition /; “Laisser l’Istoire ... et Moralisier ung Petit”: Aspects of Allegory in the Mystères /; Turning a Chanson de Geste into a Mystery, or Non-Religious and Chivalric Mystery Plays /; Sermons in the Passions of Mercadé, Gréban and Jehan Michel /; A Typology of Catalan Play Manuscripts from the Fourteenth to the Sixteenth Century /; Contributors.
• Bibliography: Includes bibliographical references (p. 309-321).
• ISBN: 128087533X; 9786613716644; 9401207666
• ISSN: 1385-0393
• Hierarchical level: Monograph
• Statement of Responsibility: edited by Peter Happé and Wim Hüsken.

This collection of essays in English by scholars of international standing presents new insights into the contexts in which the fifteenth-century French mystères were created. It is centred upon the remarkable outburst of large-scale plays written for urban production and dealing with biblical and hagiological subjects which transformed the art of theatre in France and gave rise to a new and multi-faceted theatrical culture. Among the subjects treated are the means by which surviving texts preserve theatrical practice, and some of the ways in which the work of the principal dramatists Eustache Mercadé, Arnoul Gréban and Jean Michel interact with one another and with the work of others. The nature of some surviving texts is subjected to close scrutiny and this includes detailed work upon some manuscripts and their typology. Attention is also given to the related moralités , the convent drama, and to the large corpus of Catalan plays which deal with similar topics but in different circumstances. Further contexts are addressed through paradramatic aspects including sermons and the chansons de geste , as well as the political environment. One recurring feature is the nature and activities of ubiquitous and powerful evil characters and their theatrical and theological significance.