Integral drama : culture, consciousness and identity / / William S. Haney II.
Integral Drama critically explores modern drama in the context of Indian aesthetics described in the Natyashastra and the vast, new interdisciplinary field of consciousness studies. It also focuses on how Indian theatre aesthetics has influenced modern drama theories and practice, and the extent to...
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| Superior document: | Consciousness, literature & the arts, 15 |
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| : | |
| Year of Publication: | 2008 |
| Language: | English |
| Series: | Consciousness, literature & the arts ;
15. |
| Physical Description: | 1 online resource (185 p.) |
| Notes: | Description based upon print version of record. |
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Table of Contents:
- Preliminary Material / William S. Haney
- Integral Drama: Culture, Consciousness and Identity Introduction / William S. Haney
- The Fall of Private Man in Harold Pinter’s The Birthday Party / William S. Haney
- Eugène Ionesco’s Rhinoceros: Defiance vs. Conformity / William S. Haney
- Tom Stoppard’s Arcadia: Orderly Disorder / William S. Haney
- Discovering Happiness in Harold Pinter’s The Homecoming / William S. Haney
- Luigi Pirandello’s Six Characters in Search of an Author: Being vs. having Form / William S. Haney
- The Reality of Illusion in Jean Genet’s The Balcony / William S. Haney
- Soyinka’s Integral Drama: Unity and the Mistake of the Intellect / William S. Haney
- Bibliography / William S. Haney
- Index of Names / William S. Haney.