Paris and the fetish : : primal crime scenes / / Alistair Rolls ; Jack Garofalo, cover photography.
Freud’s 1927 essay on the acquisition of a screen memory, or fetish, allows the subject to come to terms with the traumatic truth that, for him, dominates the present moment (in Freud’s scenario, the truth of mother’s sexuality) by maintaining, alongside and not in place of it, a parallel story of t...
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| Place / Publishing House: | Amsterdam, Netherlands : : Rodopi,, 2014. ©2014 |
| Year of Publication: | 2014 |
| Language: | English |
| Series: | Chiasma ;
33 Chiasma 33. |
| Physical Description: | 1 online resource (176 p.) |
| Notes: | Description based upon print version of record. |
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Table of Contents:
- Preliminary Material
- Acknowledgements
- Please, Let’s Talk about Text
- Paris, Capital of Fetishism: The Fashion of Looking (Again and Again) at the Woman Passing By
- Deciphering the Hieroglyphic in Frédéric Cathala’s L’Arbalète : La vraie vie commence
- Not Seeing (and Seeing) the Wolves for the Trees: Unrepresenting Hyperclarity in Fred Vargas’s L’Homme à l’envers
- Roquentin’s Primal Scene, Or What is and What is Not Seen in La Nausée
- Léo Malet’s Troubled Waters, Or How to Have Your Femme Fatale and Kill Her
- Bibliography
- Index.