Self-commentary in early modern European literature, 1400-1700 / / edited by Francesco Venturi.

• TeilnehmendeR: Venturi, Francesco, 1984-
• Place / Publishing House: Leiden ;, Boston : : Brill,, [2019]
• Año de Publicación: 2019
• Lenguaje: English
• Colección: Intersections 62.
• Descripción Física: 1 online resource (445 pages)
• Other title: Front Matter --; Copyright page --; Acknowledgements --; Illustrations --; Notes on the Editor --; Notes on the Contributors --; Introduction /; Alberti’s Commentarium to His First Literary Work: Self-Commentary as Self-Presentation in the Philodoxeos /; Elucidation and Self-Explanation in Filelfo’s Marginalia /; Vernacular Self-Commentary during Medieval Early Modernity: Reginald Pecock and Gavin Douglas /; On the Threshold of Poems: a Paratextual Approach to the Narrative/Lyric Opposition in Italian Renaissance Poetry /; Self-Commentary on Language in Sixteenth-Century Italian Prefatory Letters /; ‘All Outward and on Show’: Montaigne’s External Glosses /; Companions in Folly: Genre and Poetic Practice in Five Elizabethan Anthologies /; The Journey of the Soul: The Prose Commentaries on His Own Poems by St John of the Cross /; Blood, Sweat, and Tears: Annotation and Self-Exegesis in La Ceppède /; Can a Poet be ‘Master of [his] owne Meaning’? George Chapman and the Paradoxes of Authorship /; Critical Failures: Corneille Observes His Spectators /; Self-Criticism, Self-Assessment, and Self-Affirmation: The Case of the (Young) Author in Early Modern Dutch Literature /; Reading the Margins: The Uses of Authorial Side Glosses in Anna Stanisławska’s Transaction (1685) /; Mockery and Erudition: Alessandro Tassoni’s Secchia rapita and Francesco Redi’s Bacco in Toscana /; Afterword /; Back Matter --; Index Nominum.
• Sumario: This volume investigates the various ways in which writers comment on, present, and defend their own works, and at the same time themselves, across early modern Europe. A multiplicity of self-commenting modes, ranging from annotations to explicatory prose to prefaces to separate critical texts and exemplifying a variety of literary genres, are subjected to analysis. Self-commentaries are more than just an external apparatus: they direct and control reception of the primary text, thus affecting notions of authorship and readership. With the writer understood as a potentially very influential and often tendentious interpreter of their own work, the essays in this collection offer new perspectives on pre-modern and modern forms of critical self-consciousness, self-representation, and self-validation. Contributors are Harriet Archer, Gilles Bertheau, Carlo Caruso, Jeroen De Keyser, Russell Ganim, Joseph Harris, Ian Johnson, Richard Maber, Martin McLaughlin, John O’Brien, Magdalena Ożarska, Federica Pich, Brian Richardson, Els Stronks, and Colin Thompson.
• Bibliografía: Includes bibliographical references and index.
• ISBN: 9004396594
• ISSN: 1568-1181
• Hierarchical level: Monograph
• Statement of Responsibility: edited by Francesco Venturi.

This volume investigates the various ways in which writers comment on, present, and defend their own works, and at the same time themselves, across early modern Europe. A multiplicity of self-commenting modes, ranging from annotations to explicatory prose to prefaces to separate critical texts and e...