Reframing Seventeenth-Century Bolognese Art : : Archival Discoveries / / ed. by Morselli, Babette Bohn.

• Superior document: Title is part of eBook package: De Gruyter Amsterdam University Press Complete eBook-Package 2019
• MitwirkendeR: Bohn, Babette,; Fumagalli, Elena,; Ghelfi, Barbara,; Morselli, Raffaella,; Piccinelli, Roberta,; Vries, Joyce de,
• HerausgeberIn: Bohn, Babette,; Morselli, ,
• Place / Publishing House: Amsterdam : : Amsterdam University Press, , [2019]; ©2019
• Year of Publication: 2019
• Language: English
• Series: Visual and Material Culture, 1300 -1700 ; 15
• Physical Description: 1 online resource (192 p.)
• Other title: Frontmatter --; Table of Contents --; List of Illustrations --; Abbreviations --; 1. Introduction --; 2. Bologna and Rome: Francesco Albani's Correspondence and his Reflections on Art (1637-59) --; 3. Collezionismo in Early Modern Bologna: The Fantuzzi's Acquisition and Display of Drawings and Paintings by Local Masters --; 4. Collecting Women's Art in Early Modern Bologna: Myth and Reality --; 5. Bolognese Artists and Paintings in Mantua during the Gonzaga Nevers Period --; 6. Bolognese Painters in the Private Collections of Romagna: The Albicini Marchis Collection in Forlì --; 7. Bolognese Paintings in Seventeenth-Century Medici Collections Reconsidered (1600-75) --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9789048537556; 9783110661521; 9783110605785; 9783110610017; 9783110610765; 9783110664232
• DOI: 10.1515/9789048537556?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Morselli, Babette Bohn.

These ground-breaking essays, all based on original archival research, consider the evolving interest in Bolognese art in seventeenth-century Italy, particularly focusing on the period after the death of Guido Reni in 1642. Edited by Bolognese specialists Raffaella Morselli and Babette Bohn, the studies collected here focus on the taste for Bolognese art within Bologna itself and in other parts of the Italian peninsula, including Mantua, Ferrara, Rome, and Florence. Essays examine the roles of gender, class, and the social status of the artist in early modern Bologna; approaches to exhibiting artworks in noble Bolognese collections; the reputations of local women artists; the popularity of Bolognese quadratura painting; and the relative success of both contemporary and earlier Bolognese artists with Italian collectors.