Cine-Dispositives : : Essays in Epistemology Across Media / / ed. by Maria Tortajada, François Albera.
This collection brings together a number of leading scholars in film studies to explore viewing and listening dispositives—the Foucauldian concept of a strategic and technical configuration of practices and discourses—from the emergence of film studies as a field in the 1960s to more recent uses of...
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Superior document: | Title is part of eBook package: De Gruyter AUP eBook Package Backlist 2000-2014 |
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MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | Amsterdam : : Amsterdam University Press, , [2015] ©2015 |
Publicatiejaar: | 2015 |
Taal: | English |
Reeks: | Film Culture in Transition
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Online toegang: | |
Fysieke beschrijving: | 1 online resource (386 p.) :; 33 halftones |
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Other title: | Frontmatter -- Contents -- Acknowledgments -- Questioning The Word “Dispositif” -- Foreword -- I. Dispositives Programs -- The Dispositive Does Not Exist! -- Between Knowing And Believing -- II. Dispositives Issues -- “You Do Not Even Know Where You Are” -- Marey And The Synthesis Of Movement -- Notes On The Bergsonian Cinematograph -- The Stereopticon And Cinema -- On Some Limitations Of The Definition Of The Dispositive “Cinema” -- The Moment Of The “Dispositif” -- The “Dispositive Effect” In Film Narrative -- III. Dispositives Histories -- The Social Imaginary Of Telephony -- Between Paradoxical Spectacles And Technical Dispositives -- Forms Of Machines, Forms Of Movement -- The Amateur-Dispositive -- Two Versions Of The Television Dispositive -- Reality Television As Dispositive: The Case Of French-Speaking Switzerland -- Dispositive And Cinepoetry, Around Foucault’S Death And The Labyrinth -- Archaeology And Spectacle -- About The Authors -- Index Of Titles -- Index Of Names |
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Samenvatting: | This collection brings together a number of leading scholars in film studies to explore viewing and listening dispositives—the Foucauldian concept of a strategic and technical configuration of practices and discourses—from the emergence of film studies as a field in the 1960s to more recent uses of the concept. In particular, the contributors confront points of view and perspectives in the context of the rise and spread of new technologies—changes that are continually altering the boundaries and the spaces of cinema and thus demand new analysis and theoretization. |
Formaat: | Mode of access: Internet via World Wide Web. |
ISBN: | 9789048523443 9783110606515 9783110662788 9783111023762 |
DOI: | 10.1515/9789048523443?locatt=mode:legacy |
Toegang: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | ed. by Maria Tortajada, François Albera. |