Camera Obscura, Camera Lucida : : Essays in Honor of Annette Michelson / / ed. by Richard Allen, Malcolm Turvey.

• Superior document: Title is part of eBook package: De Gruyter AUP eBook Package Backfile 2000-2013
• MitwirkendeR: Allen, Richard,; Bruno, Giuliana,; Carroll, Noël,; Dimendberg, Edward,; Gunning, Tom,; Iampolski, Mikhail,; Krauss, Rosalind,; Liebman, Stuart,; Mangolte, Babette,; Simon, William G.,; Steimatsky, Noa,; Turvey, Malcolm,; Weiss, Allen S.,; Wollen, Peter,
• HerausgeberIn: Allen, Richard,; Turvey, Malcolm,
• Place / Publishing House: Amsterdam : : Amsterdam University Press, , [2003]; ©2003
• Year of Publication: 2003
• Language: English
• Series: Film Culture in Transition
• Physical Description: 1 online resource (296 p.)
• Other title: Frontmatter --; Contents --; Acknowledgements --; Preface --; Introduction --; The Logic Of An Illusion Notes On The Genealogy Of Intellectual Cinema --; Narcissistic Machines And Erotic Prostheses --; Loïe Fuller And The Art Of Motion Body, Light, Electricity, And The Origins Of Cinema --; Visitings Of Awful Promise The Cinema Seen From Etna --; Transfiguring The Urban Gray László Moholy-Nagy'S Film Scenario 'Dynamic Of The Metropolis' --; Eisenstein'S Philosophy Of Film --; Knight'S Moves --; Hitchcock And Narrative Suspense Theory And Practice --; From The Air A Genealogy Of Antonioni'S Modernism --; Dr. Strangelove Or: The Apparatus Of Nuclear Warfare --; Collection And Recollection On Film Itineraries And Museum Walks --; Afterward: A Matter Of Time Analog Versus Digital, The Perennial Question Of Shifting Technology And Its Implications For An Experimental Filmmaker'S Odyssey --; Select Bibliography --; List Of Contributors --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9789048505067; 9783110700671; 9783111023786; 9783110662788
• DOI: 10.1515/9789048505067?locatt=mode:legacy
• Access: Open Access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Richard Allen, Malcolm Turvey.

Annette Michelson's contributions to art and film criticism over the last three decades have been unparalleled. This volume honors her unique legacy with original essays by some of the many scholars who have been influenced by her work. Some continue her efforts to develop theoretical frameworks for understanding modernist art, while others practice her form of interdisciplinary criticism in relation to avant-garde and modernist art works and artists. Still others investigate and evaluate Michelson's work itself. All in some way pay homage to her extraordinary contribution.