Peirce's Doctrine of Signs : : Theory, Applications, and Connections / / ed. by Thomas M. Olshewsky, Vincent M. Colapietro.

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter DGBA Philosophy 1990 - 1999
MitwirkendeR:
HerausgeberIn:
Place / Publishing House:Berlin ;, Boston : : De Gruyter Mouton, , [2011]
©1996
Year of Publication:2011
Edition:Reprint 2011
Language:English
Series:Approaches to Semiotics [AS] , 123
Online Access:
Physical Description:1 online resource (463 p.)
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Description
Other title:Frontmatter --
Preface --
Contents --
Citations of Peirce's works --
Part 1. A general theory of signs: Its possibility and purpose --
General theories, vague utterances, and fruitful inquiries --
The philosophic significance of Peirce’s theory of signs --
Vagueness, generality, and undeciding otherness --
The Grand Vision --
Part 2. Peirce’s conception of semiosis: Presuppositions and articulations --
Peirce’s conception of habit --
Information and the metaphysical status of the sign --
Part 3. The components of semiosis --
The object of semeiotic --
Object and final cause in Peirce’s semeiotic --
Antetension, indexicality, and possible worlds --
The ground of semiosis: An implied theory of perspectival realism? --
Part 4. The classification of signs --
Peirce’s second classification of signs --
Peirce’s doctrine of symbol --
Symbol, ritual and cognition --
Index and icon revisited --
Part 5. The semiosis of metaphor --
Peirce and the interaction view of metaphor --
From pure icon to metaphor: Six degrees of iconicity --
On the neglect of Peirce’s views on metaphor in current theories of iconicity --
Peirce’s definition of metaphor and its consequences --
Part 6. Semiotics and aesthetics --
Aesthetic and artistic semiosis: A Peircean perspective --
Peirce on fiction: Introduction to an author-orientated semiotics --
Literary art: Meaning as a sign of possibility --
Arguments about icons --
Othello and Iago: Twins or opponents? On identity in literary semiotics --
Visual semiotics versus pragmaticism: Peirce and photography --
Music as icon: A critique of twentieth century music semiotic --
Part 7. Philosophy, linguistics and semiotics --
Sign structure and sign event in Saussure, Hjelmslev, and Peirce --
Relating European structuralist semiotics to American Peircean semeiotic --
Peirce and medieval semiotics --
Peirce and Derrida: From sign to sign --
Part 8. Semiotics and hermeneutics --
Peirce and hermeneutics --
Hermeneutic aspects in the light of Peirce’s methodology --
A word is not a sign: Hermeneutic semiotics and Peirce’s “Ethics of terminology” --
Peirce’s pragmatic maxim and K.-O. Apel’s idea of a contemplementary hermeneutical science --
Peirce, pragmatism, and interpretation theory --
The construction of a Peircean hermeneutics --
Index
Format:Mode of access: Internet via World Wide Web.
ISBN:9783110873450
9783110636901
ISSN:0066-5576 ;
DOI:10.1515/9783110873450
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: ed. by Thomas M. Olshewsky, Vincent M. Colapietro.