Charlie Chaplin : : His Reflection in Modern Times / / ed. by Adolphe Nysenholc.

• Superior document: Title is part of eBook package: De Gruyter DGBA Literary and Cultural Studies - 1990 - 1999
• MitwirkendeR: Beylie, Claude,; Bourget, Jean-Loup,; Chateau, Dominique,; Cremonini, Giorgio,; Eriksson, Lennart,; Feuerhahn, Nelly,; Fisher, Rhoda Lee,; Fisher, Seymour,; França, José-Augusto,; Fry, William F.,; Gaudreault, André,; Gehring, Wes D.,; Hanisch, Michael,; Henry, Anne,; Heyndels, Ralph,; Inge, M. Thomas,; Král, Petr,; Malachy, Thérèse,; Martin, Marcel,; Mintz, Lawrence E.,; Molyneaux, Gerard,; Noguez, Dominique,; Nysenholc, Adolphe,; Oldrini, Guido,; Rolin, Dominique,; Royot, Daniel,; Tavernier-Courbin, Jacqueline,; Vigouroux-Frey, Nicole,; Vuarnet, Jean-Noël,; Βamps, Yvan,
• HerausgeberIn: Nysenholc, Adolphe,
• Place / Publishing House: Berlin ;, Boston : : De Gruyter Mouton, , [2014]; ©1991
• Year of Publication: 2014
• Edition: Reprint 2014
• Language: English
• Series: Approaches to Semiotics [AS] , 101
• Physical Description: 1 online resource (386 p.)
• Other title: Frontmatter --; Acknowledgements to/ Remerciements à. Illustrations. We acknowledge / nous remercions: --; Preface / Préface --; Table of contents / Table des matières --; I. Charles Chaplin: The man, his work and his time / L’homme, l’œuvre et son temps --; Chaplin and the resistance to “talkies” --; Pretending the world is funny: Charlie Chaplin's job as the prototype comic personality --; Charles Chaplin and the Jewish world --; The Chaplin reception in Germany (Brilliant comedian and “Jewish film clown”) --; Charles Chaplin en compagnie de Schopenhauer --; Les implications de la technique chaplinesque du gag --; Molière, Chaplin: structures comiques --; Chaplin, la matière et l’allégement --; Charles Chaplin: an embodiment of paradox (le comique et la terreur) --; II. Charles Chaplin: His films / Etude de ses films --; Charlie Chaplin or the “vaudeville dispossessed” --; Chaplin’s short films: between narration and monstration --; Gag and narration in Chaplin's cinema at the transition from short to full-length movies (1918–1923) --; Charlie in the Far North: the tall tale element in The Gold Rush --; Comedy and Pathos in City Lights --; Modem Times and the American culture of the 1930's --; Modem Times in the light of Adorno and Beckett --; The social function of humor in Charles Chaplin’s movies --; Chaplin’s film pioneer status in black or macabre humor --; Les films “mineurs” de Chaplin --; III. Charles Chaplin: The myth / Le mythe --; Charlie Chaplin and the comic strips --; La représentation de Chariot dans deux magazines pour enfant: Mon Journal (1881–1925) et le Cri-Cri (1911–1937) --; Le dernier gag de Charles Chaplin --; Chaplin et Chariot --; Chariot et son double --; Chariot syllepse: éléments pour une théorie du gag --; Le point de vue de Gulliver --; La Ruée vers l’or --; Charles Chaplin, poète comique --; Postscript --; Postface --; IV. Bibliography/Bibliographie --; Books on and by Chaplin An international bibliography --; V. Appendices / Annexes --; Abstracts / Résumés --; Contributors / Signatures --; VI. Charles Chaplin: Filmography/Filmographie --; VII. Index --; VIII. Illustrations
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9783110857740; 9783110637830
• ISSN: 0066-5576
• DOI: 10.1515/9783110857740
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Adolphe Nysenholc.