The Indigenous Lens? : : Early Photography in the Near and Middle East /

The Indigenous Lens? : : Early Photography in the Near and Middle East / / ed. by Markus Ritter, Staci G. Scheiwiller.

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The historiography of early photography has scarcely examined Islamic countries in the Near and Middle East, although the new technique was adopted very quickly there by the 1840s. Which regional, local, and global aspects can be made evident? What role did autochthonous image and art traditions hav...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter DG Plus eBook-Package 2018
MitwirkendeR:
Akcan, Esra,
Baleva, Martina,
Eldem, Edhem,
González, Carmen Pérez,
Helbig, Elahe,
Nabipour, Alireza,
Nameghi, Khadijeh Mohammadi,
Ritter, Markus,
Sattari, Mohammad,
Scheiwiller, Staci G.,
Shaw, Wendy M. K.,
Sheehi, Stephen,
Sheikh, Reza,
Stein, Donna,
Sui, Claude W.,
Tahmasbpour, Mohammadreza,
HerausgeberIn:
Ritter, Markus,
Scheiwiller, Staci G.,
Place / Publishing House:Berlin ;, Boston : : De Gruyter, , [2017]
©2018
Year of Publication:2017
Language:English
Series:Studies in Theory and History of Photography ; 8
Online Access:
Physical Description:1 online resource (348 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • FOREWORD
  • NOTE ON TRANSLITERATION
  • Introduction: Early Photography in the Near and Middle East and the Notion of an “Indigenous Lens”
  • Histories
  • The Search for an Ottoman Vernacular Photography
  • Photography during the Qajar Era, 1842–1925
  • Biographies
  • Geographies Traced and Histories Told: Photographic Documentation of Land and People by ʿAbdollah Mirza Qajar, 1880s–1890s
  • Early Photography of the Holy Sites of Islam in the Arabian Peninsula
  • Relocating Sevruguin: Contextualizing the Political Climate of the Iranian Photographer Antoin Sevruguin (c. 1851–1933)
  • Practices
  • The Ottoman in Ottoman Photography: Producing Identity through its Negation
  • Written Images: Poems On Early Iranian Portrait Studio Photography (1864–1930) and Constitutional Revolution Postcards (1905–1911)
  • The Gate of the Bosporus: Early Photographs of Istanbul and the Dolmabahçe Palace
  • The Heroic Lens: Portrait Photography of Ottoman Insurgents in the Nineteenth-Century Balkans—Types and Uses
  • lass Plates and Kodak Cameras: Arab Amateur Photography in the “Era of Film”
  • Archives
  • The Photography Studio of the Naseri Harem in Nineteenth-Century Iran
  • The Photograph Alb ums of the Royal Golestan Palace: A Window into the Soci al Hi story of Iran during the Qajar Era
  • How a Former Museum of Modern Art Curator Assembled an International History of Photography Collection for Iran in the 1970s
  • Works Cited
  • LIST OF CONTRIBUTORS

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