Liveness on Stage : : Intermedial Challenges in Contemporary British Theatre and Performance / / Claudia Georgi.

Theatre is traditionally considered a live medium but its ‘liveness’ can no longer simply be taken for granted in view of the increasing mediatisation of the stage. Drawing on theories of intermediality, Liveness on Stage explores how performances that incorporate film or video self-reflexively stag...

Celý popis

Uloženo v:
Podrobná bibliografie
Superior document:Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1
VerfasserIn:
Place / Publishing House:Berlin ;, Boston : : De Gruyter, , [2014]
©2014
Rok vydání:2014
Jazyk:English
Edice:Contemporary Drama in English Studies , 25
On-line přístup:
Fyzický popis:1 online resource (274 p.)
Tagy: Přidat tag
Žádné tagy, Buďte první, kdo otaguje tento záznam!
Popis
Other title:Frontmatter --
Contents --
Acknowledgements --
Introduction --
1 (Inter–)Mediality --
2 Drama, Theatre and (Inter–)Mediality --
3 Mediation, Mediatisation and Liveness --
4 Liveness on Stage --
Conclusion --
Works Cited --
Index of Performances --
General Index
Shrnutí:Theatre is traditionally considered a live medium but its ‘liveness’ can no longer simply be taken for granted in view of the increasing mediatisation of the stage. Drawing on theories of intermediality, Liveness on Stage explores how performances that incorporate film or video self-reflexively stage and challenge their own liveness by contrasting or approximating live and mediatised action. To illustrate this, the monograph investigates key aspects such as ‘ephemerality’, ‘co-presence’, ‘unpredictability’, ‘interaction’ and ‘realistic representation’ and highlights their significance for re-evaluating received notions of liveness. The analysis is based on productions by Gob Squad, Forkbeard Fantasy, Station House Opera, Proto-type Theater, Tim Etchells and Mary Oliver. In their playful approaches these practitioners predominantly present such media combination as a means of cross-fertilisation rather than as an antagonism between liveness and mediatisation. Combining an original theoretical approach with an in-depth analysis of the selected productions, this study will appeal to scholars and practitioners of theatre and performance as well as to those researching intermedial phenomena.
Médium:Mode of access: Internet via World Wide Web.
ISBN:9783110346534
9783110238570
9783110238464
9783110637854
9783110742961
9783110369526
9783110370270
ISSN:2194-9069 ;
DOI:10.1515/9783110346534
Přístup:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Claudia Georgi.