Liveness on Stage : : Intermedial Challenges in Contemporary British Theatre and Performance / / Claudia Georgi.
Theatre is traditionally considered a live medium but its ‘liveness’ can no longer simply be taken for granted in view of the increasing mediatisation of the stage. Drawing on theories of intermediality, Liveness on Stage explores how performances that incorporate film or video self-reflexively stag...
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| Superior document: | Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Berlin ;, Boston : : De Gruyter, , [2014] ©2014 |
| Year of Publication: | 2014 |
| Language: | English |
| Series: | Contemporary Drama in English Studies ,
25 |
| Online Access: | |
| Physical Description: | 1 online resource (274 p.) |
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| 100 | 1 | |a Georgi, Claudia, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Liveness on Stage : |b Intermedial Challenges in Contemporary British Theatre and Performance / |c Claudia Georgi. |
| 264 | 1 | |a Berlin ; |a Boston : |b De Gruyter, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (274 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 490 | 0 | |a Contemporary Drama in English Studies , |x 2194-9069 ; |v 25 | |
| 502 | |a Dissertation |c Universität Göttingen |d 2012. | ||
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgements -- |t Introduction -- |t 1 (Inter–)Mediality -- |t 2 Drama, Theatre and (Inter–)Mediality -- |t 3 Mediation, Mediatisation and Liveness -- |t 4 Liveness on Stage -- |t Conclusion -- |t Works Cited -- |t Index of Performances -- |t General Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Theatre is traditionally considered a live medium but its ‘liveness’ can no longer simply be taken for granted in view of the increasing mediatisation of the stage. Drawing on theories of intermediality, Liveness on Stage explores how performances that incorporate film or video self-reflexively stage and challenge their own liveness by contrasting or approximating live and mediatised action. To illustrate this, the monograph investigates key aspects such as ‘ephemerality’, ‘co-presence’, ‘unpredictability’, ‘interaction’ and ‘realistic representation’ and highlights their significance for re-evaluating received notions of liveness. The analysis is based on productions by Gob Squad, Forkbeard Fantasy, Station House Opera, Proto-type Theater, Tim Etchells and Mary Oliver. In their playful approaches these practitioners predominantly present such media combination as a means of cross-fertilisation rather than as an antagonism between liveness and mediatisation. Combining an original theoretical approach with an in-depth analysis of the selected productions, this study will appeal to scholars and practitioners of theatre and performance as well as to those researching intermedial phenomena. | ||
| 530 | |a Issued also in print. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) | |
| 650 | 0 | |a Experimental theater |z Great Britain. | |
| 650 | 0 | |a Theater |x Technological innovations |z Great Britain. | |
| 650 | 0 | |a Theater |z Great Britain |x History |y 21st century. | |
| 650 | 4 | |a Film. | |
| 650 | 4 | |a Intermedialität. | |
| 650 | 4 | |a Performance. | |
| 650 | 4 | |a Theater. | |
| 650 | 4 | |a Video. | |
| 650 | 7 | |a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. |2 bisacsh | |
| 653 | |a Film and Video. | ||
| 653 | |a Intermediality. | ||
| 653 | |a Theatre and Performance. | ||
| 653 | |a Theatre. | ||
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t DGBA Backlist Complete English Language 2000-2014 PART1 |z 9783110238570 |
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