The Aesthetics of the Graz School / / ed. by Venanzio Raspa.

• Superior document: Title is part of eBook package: De Gruyter DGBA Backlist Complete English Language 2000-2014 PART1
• MitwirkendeR: Allesch, Christian G.,; Dolcini, Nevia,; Jacquette, Dale,; Langlet, Bruno,; Mahr, Peter,; Martinelli, Riccardo,; Orilia, Francesco,; Potrč, Matjaž,; Raspa, Venanzio,; Strahovnik, Vojko,; Vendrell Ferran, Íngrid,
• HerausgeberIn: Raspa, Venanzio,
• Place / Publishing House: Berlin ;, Boston : : De Gruyter, , [2013]; ©2010
• Year of Publication: 2013
• Language: English
• Series: Meinong Studies / Meinong Studien , 4
• Physical Description: 1 online resource (279 p.)
• Other title: Frontmatter --; Contents / Inhalt --; INTRODUCTION. THE FORGOTTEN AESTHETICS: THE CASE OF THE GRAZ SCHOOL --; METAPHYSICS OF MEINONGIAN AESTHETIC VALUE --; BEAUTIFUL THINGS AND MEINONG’S OBJECT THEORY: AESTHETIC PROPERTIES IN FRONT OF US? --; STEPHAN WITASEK UND DIE PSYCHOLOGISCHE ÄSTHETIK --; ÄSTHETISCHE ERFAHRUNG UND QUASI-GEFÜHLE --; EHRENFELS, HÖFLER, WITASEK: ZUR MUSIKÄSTHETIK DER GRAZER SCHULE --; MEINONG, WITASEK, HEIDER: IST GEGENSTANDSTHEORETISCHE ÄSTHETIK MÖGLICH? --; AESTHETIC JUDGMENT ACCORDING TO VEBER --; IS THE MIGRATION OF FICTA A FICTION? --; STORIES AND PICTURES --; Backmatter
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9783110324600; 9783110238570; 9783110238488; 9783110636949; 9783110331226; 9783110331219
• ISSN: 2198-2309
• DOI: 10.1515/9783110324600
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Venanzio Raspa.

This is the first volume devoted to the aesthetics of the Graz school. V. Raspa’s introduction gives an outline of the aesthetic themes and exponents of the school. D. Jacquette argues for a Meinongian subjectivistic aesthetic value theory. B. Langlet deals with aesthetic properties and emotions. Ch.G. Allesch presents Witasek's aesthetics in its historical context. Í. Vendrell Ferran investigates the aesthetic experience and quasi-feelings in Meinong, Witasek, Saxinger and Schwarz. R. Martinelli illustrates the musical aesthetics of Ehrenfels, Höfler and Witasek. P. Mahr asks if object-theoretical aesthetics is possible at all. M. Potrc and V. Strahovnik concentrate on Veber's aesthetic judgment. N. Dolcini deals with the migration of ficta, and F. Orilia with words and pictures in fictional stories.