Desegregating Comics : : Debating Blackness in the Golden Age of American Comics / / Qiana Whitted; ed. by Qiana Whitted.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2023 English
• VerfasserIn: Whitted, Qiana,
• MitwirkendeR: Beauchamp-Byrd, Mora J.,; Beauchamp-Byrd, Mora,; Boonin-Vail, Eli,; Chambliss, Julian C.,; Cremins, Brian,; Cunningham, Phillip Lamarr,; Davis, Blair,; Earle, Monalesia,; Gavaler, Chris,; Gordon, Ian,; Kunka, Andrew J.,; Lamarr Cunningham, Phillip,; Lemon, Mike,; Nodell, Jacque,; Sammond, Nicholas,; Tilley, Carol L.,; Wanzo, Rebecca,; Whitted, Qiana,
• HerausgeberIn: Whitted, Qiana,
• Place / Publishing House: New Brunswick, NJ : : Rutgers University Press, , [2023]; ©2023
• Year of Publication: 2023
• Language: English
• Physical Description: 1 online resource (326 p.) :; 37 bw, 29 color

Some comics fans view the industry’s Golden Age (1930s-1950s) as a challenging time when it comes to representations of race, an era when the few Black characters appeared as brutal savages, devious witch doctors, or unintelligible minstrels. Yet the true portrait is more complex and reveals that even as caricatures predominated, some Golden Age comics creators offered more progressive and nuanced depictions of Black people. Desegregating Comics assembles a team of leading scholars to explore how debates about the representation of Blackness shaped both the production and reception of Golden Age comics. Some essays showcase rare titles like Negro Romance and consider the formal innovations introduced by Black comics creators like Matt Baker and Alvin Hollingsworth, while others examine the treatment of race in the work of such canonical cartoonists as George Herriman and Will Eisner. The collection also investigates how Black fans read and loved comics, but implored publishers to stop including hurtful stereotypes. As this book shows, Golden Age comics artists, writers, editors, distributors, and readers engaged in heated negotiations over how Blackness should be portrayed, and the outcomes of those debates continue to shape popular culture today.

Table of Contents

Frontmatter -- Contents -- Introduction: “An Apt Cartoon” -- Part I Iconographies of Race and Racism -- 1 Rose O’Neill and Visual Tropes of Blackness -- 2 The Passing Fancies of Krazy Kat -- 3 “How Else Could I Have Created a Black Boy in That Era?”: Racial Caricature and Will Eisner’s Legacy -- Part II Formal Innovation and Aesthetic Range -- 4 Desegregating Black Art Genealogies: An Invitation -- 5 Misdirections in Matt Baker’s Phantom Lady -- 6 The Art of Alvin Hollingsworth -- 7 “Hello Public!”: Jackie Ormes in the Print Culture of the Pittsburgh Courier -- Part III Comics Readership and Respectability Politics -- 8 “Never Any Dirty Ones”: Comics Readership among African American Youth in the Mid-Twentieth Century -- 9 All-Negro Comics and Counterhistories of Race in the Golden Age -- 10 “This Business of White and Black”: Captain Marvel’s Steamboat, the Youthbuilders, and Fawcett’s Roy Campanella, Baseball Hero -- 11 Al Hollingsworth’s Kandy: Race, Colorism, and Romance in African American Newspaper Comics -- Part IV Disrupting Genre, Character, and Convention -- 12 Diabolical Master of Black Magic: Examining Agency through Villainy in “The Voodoo Man” -- 13 Love in Color: Fawcett’s Revolutionary Negro Romance -- 14 An Afrofuturist Legacy: Neil Knight and Black Speculative Capital -- 15 “For They Were There!”: Dell Comics’ Lobo and the Black Cowboy in American Comic Books -- Acknowledgments -- Bibliography -- Notes on Contributors -- Index