Crime Stories : : Criminalistic Fantasy and the Culture of Crisis in Weimar Germany / / Todd Herzog.

• Superior document: Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013
• VerfasserIn: Herzog, Todd,
• Place / Publishing House: New York; , Oxford : : Berghahn Books, , [2009]; ©2009
• Year of Publication: 2009
• Language: English
• Series: Monographs in German History ; 22
• Physical Description: 1 online resource (182 p.)
• Other title: Frontmatter --; CONTENTS --; FIGURES --; ACKNOWLEDGEMENTS --; INTRODUCTION --; Chapter 1 CRIME, DETECTION, AND GERMAN MODERNISM --; Chapter 2 WRITING CRIMINALS Outsiders of Society and the Modernist Case History --; Chapter 3 UNDERSTANDING CRIMINALS Th e Cases of Ella Klein and Franz Biberkopf --; Chapter 4 SEEING CRIMINALS Mass Murder, Mass Culture, Mass Public --; Chapter 5 TRACKING CRIMINALS Th e Cases of Peter Kürten, Franz Beckert, and Emil Tischbein --; CONCLUSION Criminalistic Fantasy after Weimar --; BIBLIOGRAPHY --; INDEX
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781845459055; 9783110998283
• DOI: 10.1515/9781845459055
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Todd Herzog.

The Weimar Republic (1918–1933) was a crucial moment not only in German history but also in the history of both crime fiction and criminal science. This study approaches the period from a unique perspective - investigating the most notorious criminals of the time and the public’s reaction to their crimes. The author argues that the development of a new type of crime fiction during this period - which turned literary tradition on its head by focusing on the criminal and abandoning faith in the powers of the rational detective - is intricately related to new ways of understanding criminality among professionals in the fields of law, criminology, and police science. Considering Weimar Germany not only as a culture in crisis (the standard view in both popular and scholarly studies), but also as a culture of crisis, the author explores the ways in which crime and crisis became the foundation of the Republic’s self-definition. An interdisciplinary cultural studies project, this book insightfully combines history, sociology, literary studies, and film studies to investigate a topic that cuts across all of these disciplines.