Kristeva in Focus : : From Theory to Film Analysis / / Katherine J. Goodnow.

• Superior document: Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013
• VerfasserIn: Goodnow, Katherine J.,
• Place / Publishing House: New York; , Oxford : : Berghahn Books, , [2010]; ©2010
• Yayın Tarihi: 2010
• Dil: English
• Fiziksel Özellikler: 1 online resource (240 p.)
• Other title: Frontmatter --; Contents --; Acknowledgments --; Preface --; Chapter 1 Introduction to Kristeva --; Chapter 2 Horror – Basic concepts: The abject and its varieties --; Chapter 3 Horror – Specifying the circumstances --; Chapter 4 Strangers – Basic concepts: Strangers without and within --; Chapter 5 Strangers – Expansions: The stranger’s story --; Chapter 6 Love – Basic concepts --; Chapter 7 Love – Expansions: Old and new discourses --; Chapter 8 The text of society and history --; Chapter 9 Women and social change --; Bibliography --; FILMOGRAPHY --; Index
• Özet: Dealing with some of the major themes in film narratives, this book draws on the theories of French psychoanalyst Julia Kristeva. It looks at how narratives have changed over time, and considers the sources of our variable reactions to themes and representations of horror, strangers, and love. In addition to a selection of contemporary mainstream films, the major films for analysis are New Zealand “New Wave” films such as Alison Maclean’s Kitchen Sink and Crush; Vincent Ward’s Vigil; and Jane Campion’s Sweety, An Angel at My Table, and The Piano.
• Materyal Türü: Mode of access: Internet via World Wide Web.
• ISBN: 9781845457945; 9783110998283
• DOI: 10.1515/9781845457945
• Erişim: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Katherine J. Goodnow.

Dealing with some of the major themes in film narratives, this book draws on the theories of French psychoanalyst Julia Kristeva. It looks at how narratives have changed over time, and considers the sources of our variable reactions to themes and representations of horror, strangers, and love. In ad...