Dreams of Germany : : Musical Imaginaries from the Concert Hall to the Dance Floor / / ed. by Neil Gregor, Thomas Irvine.

• Superior document: Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2018
• MitwirkendeR: Garcia, Luis-Manuel,; Gregor, Neil,; Irvine, Thomas,; Kam, Lap-Kwan,; Nye, Sean,; Okazaki, Brooke McCorkle,; Pollock, Emily Richmond,; Smith, Dana,; Sneeringer, Julia,; Sprigge, Martha,; Ziemer, Hansjakob,
• HerausgeberIn: Gregor, Neil,; Irvine, Thomas,
• Place / Publishing House: New York; , Oxford : : Berghahn Books, , [2018]; ©2018
• Year of Publication: 2018
• Language: English
• Series: Spektrum: Publications of the German Studies Association ; 18
• Physical Description: 1 online resource (320 p.)
• Other title: Frontmatter --; CONTENTS --; FIGURES AND TABLES --; ACKNOWLEDGMENTS --; INTRODUCTION --; PART I Spaces and Moments of Affect --; CHAPTER 1 “The German in the Concert Hall” Concertgoing and National Belonging in the Early Twentieth Century --; CHAPTER 2 “Music Made in Hamburg” How One City’s Music Scene Helped Make Rock and Roll the Lingua Franca of Youth --; CHAPTER 3 “With Every Inconceivable Finesse, Excess, and Good Music” Sex, Affect, and Techno at Snax Club in Berlin --; PART II The Local, the Regional, the National --; CHAPTER 4 Bruckner, Munich, and the Longue Durée of Musical Listening between the Imperial and Postwar Eras --; CHAPTER 5 Female Musicians and “Jewish” Music in the Jewish Kulturbund in Bavaria, 1934–38 --; CHAPTER 6 Pride of Place: The 1963 Rebuilding of the Munich Nationaltheater --; PART III Globalizing Musical Germanness --; CHAPTER 7 Was ist Japanisch? Wagnerism and Dreams of Nationhood in Modern Japan --; CHAPTER 8 Hubert Parry, Germany, and the “North” --; PART IV Fantasies, Reminiscences, Dreams, Nightmares --; CHAPTER 9 Between Musicology and Mythology at the Stunde Null: Austria’s 950th “Birthday” and the 50th Anniversary of Bruckner’s Death --; CHAPTER 10 Hearing the Nazi Past in the German Democratic Republic Antifascist Fantasies, Acoustic Realities, and Haunted Memories in Georg Katzer’s Aide –Mémoire (1983) --; CHAPTER 11 Sprockets + Autobahn: Kraftwerk Parodies, German Electronic Music, and Retro Dreams in Amerika --; INDEX
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781789200331; 9783110998115
• DOI: 10.1515/9781789200331?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Neil Gregor, Thomas Irvine.

For many centuries, Germany has enjoyed a reputation as the ‘land of music’. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale.