Performing History : : Approaches to History Across Musicology / / ed. by Nancy November.
The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. This book's chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; particular...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Academic Studies Press Complete eBook-Package 2020 |
---|---|
MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | Boston, MA : : Academic Studies Press, , [2020] ©2020 |
Year of Publication: | 2020 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (358 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781644693551 |
---|---|
lccn |
2020009723 |
ctrlnum |
(DE-B1597)546529 (OCoLC)1198929001 |
collection |
bib_alma |
record_format |
marc |
spelling |
Performing History : Approaches to History Across Musicology / ed. by Nancy November. Boston, MA : Academic Studies Press, [2020] ©2020 1 online resource (358 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Introduction -- PART ONE. HIP Experiences -- 1. Some Senses of History among HIP Performers -- 2. Counting to Four: The flûte du quatre in Charles Dieupart's Six Suittes (1701) -- 3. The French Style of Viol Bowing and the enflé in the Works of Marin Marais -- 4. Contextual History through Rhetorical Visuality in Performing Monteverdi's Il pianto della Madonna -- PART TWO. Performance as Celebration and Conservation -- 5. Celebrating and Enhancing a Virtual Past through Singing: The Polynesian Community on Takū -- 6. Reimagining Traditional Ritual Music of Sabah for Contemporary Performance as a Means of Conservation -- PART THREE. Performing War -- 7. Historical Fidelity and Creative License in two Viennese Battles of the Nile -- 8. Gallipoli to the Somme: A Musical Witness to History -- 9. Britten's Primal Scream -- PART FOUR. Staging Power and Enlightenment -- 10. Staging Power: The Role of Duchess Sophie Elisabeth of Braunschweig-Lüneburg (1613-76) in Wolfenbüttel Court Festivities of the 1650s -- 11. An Enlightened Future History on the Milan Opera Stage: Niccolò Piccinni's Il regno della Luna -- PART FIVE. Performing the Body and the Senses -- 12. "A New World is Opened up to View": Orchestral Gesture in Berlioz's Roméo et Juliette -- 13. Italian Futurism: Music and the Senses in the Modern Age -- PART SIX. Performing the Popular -- 14. "Saxophones Sobbed Out Jazz": New Zealand's First Jazz Recording -- 15. "To Display Her Chief Accomplishment": Domestic Manuscript Music Collections in Colonial Australia -- Author Biographies -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. This book's chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; particular musical works that "tell," "enact," or "perform" war histories; operatic works that works that "tell," "enact," or "perform" power or enlightenment; musical works that deploy the body and a broad range of senses to convey histories; and histories involving popular music and performance. Diverse lines of evidence and manifold methodologies are represented here, ranging from traditional historical archival research to interviewing, performing, and composing. The modes of analyzing music and its associated texts represented here are as various as the kinds of evidence explored, including, for example, reading historical accounts against other contextual backdrops, and reading "between the lines" to access other voices than those provided by mainstream interpretation or traditional musicology. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021) Historiography. Music and history. Music Interpretation (Phrasing, dynamics, etc.) Music Interpretation (Phrasing, dynamics, etc.). Music Performance History. Music Performance. MUSIC / History & Criticism. bisacsh Australasia. Bach. Baroque. Dieupart. Indonesia. Marais. Monteverdi. Music history. New Zealand. Pacific Rim. Polynesia. aesthetics. art. composition. contemporary. critique. ethnomusicology. historically informed performance. instruments. methodologies. multisensory. musicology. opera. popular music. preservation. song. staging. theory. war. Badley, Allan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hunter, Mary, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kaleva, Daniela, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lambert, Sterling, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Mays, Lawrence, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Morris, Imogen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Moyle, Richard, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb November, Nancy, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb November, Nancy, editor. edt http://id.loc.gov/vocabulary/relators/edt Palencia, Mia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Richards, Rosemary, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rij, Inge van, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ritchie, Anthony, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rumbell, Jennifer, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Spracklan-Holl, Hannah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sussex, Polly, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ward, Aleisha, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Academic Studies Press Complete eBook-Package 2020 9783110688207 Title is part of eBook package: De Gruyter DG Plus PP Package 2020 Part 2 9783110696295 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 English 9783110704716 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 9783110704518 ZDB-23-DGG Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2020 English 9783110704747 Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2020 9783110704532 ZDB-23-DKU Title is part of eBook package: De Gruyter PP ROW Ebook Package English 2020 9783110696301 print 9781644693544 https://doi.org/10.1515/9781644693551?locatt=mode:legacy https://www.degruyter.com/isbn/9781644693551 Cover https://www.degruyter.com/cover/covers/9781644693551.jpg |
language |
English |
format |
eBook |
author2 |
Badley, Allan, Badley, Allan, Hunter, Mary, Hunter, Mary, Kaleva, Daniela, Kaleva, Daniela, Lambert, Sterling, Lambert, Sterling, Mays, Lawrence, Mays, Lawrence, Morris, Imogen, Morris, Imogen, Moyle, Richard, Moyle, Richard, November, Nancy, November, Nancy, November, Nancy, November, Nancy, Palencia, Mia, Palencia, Mia, Richards, Rosemary, Richards, Rosemary, Rij, Inge van, Rij, Inge van, Ritchie, Anthony, Ritchie, Anthony, Rumbell, Jennifer, Rumbell, Jennifer, Spracklan-Holl, Hannah, Spracklan-Holl, Hannah, Sussex, Polly, Sussex, Polly, Ward, Aleisha, Ward, Aleisha, |
author_facet |
Badley, Allan, Badley, Allan, Hunter, Mary, Hunter, Mary, Kaleva, Daniela, Kaleva, Daniela, Lambert, Sterling, Lambert, Sterling, Mays, Lawrence, Mays, Lawrence, Morris, Imogen, Morris, Imogen, Moyle, Richard, Moyle, Richard, November, Nancy, November, Nancy, November, Nancy, November, Nancy, Palencia, Mia, Palencia, Mia, Richards, Rosemary, Richards, Rosemary, Rij, Inge van, Rij, Inge van, Ritchie, Anthony, Ritchie, Anthony, Rumbell, Jennifer, Rumbell, Jennifer, Spracklan-Holl, Hannah, Spracklan-Holl, Hannah, Sussex, Polly, Sussex, Polly, Ward, Aleisha, Ward, Aleisha, |
author2_variant |
a b ab a b ab m h mh m h mh d k dk d k dk s l sl s l sl l m lm l m lm i m im i m im r m rm r m rm n n nn n n nn n n nn n n nn m p mp m p mp r r rr r r rr i v r iv ivr i v r iv ivr a r ar a r ar j r jr j r jr h s h hsh h s h hsh p s ps p s ps a w aw a w aw |
author2_role |
MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR HerausgeberIn HerausgeberIn MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR |
author_sort |
Badley, Allan, |
title |
Performing History : Approaches to History Across Musicology / |
spellingShingle |
Performing History : Approaches to History Across Musicology / Frontmatter -- Contents -- Introduction -- PART ONE. HIP Experiences -- 1. Some Senses of History among HIP Performers -- 2. Counting to Four: The flûte du quatre in Charles Dieupart's Six Suittes (1701) -- 3. The French Style of Viol Bowing and the enflé in the Works of Marin Marais -- 4. Contextual History through Rhetorical Visuality in Performing Monteverdi's Il pianto della Madonna -- PART TWO. Performance as Celebration and Conservation -- 5. Celebrating and Enhancing a Virtual Past through Singing: The Polynesian Community on Takū -- 6. Reimagining Traditional Ritual Music of Sabah for Contemporary Performance as a Means of Conservation -- PART THREE. Performing War -- 7. Historical Fidelity and Creative License in two Viennese Battles of the Nile -- 8. Gallipoli to the Somme: A Musical Witness to History -- 9. Britten's Primal Scream -- PART FOUR. Staging Power and Enlightenment -- 10. Staging Power: The Role of Duchess Sophie Elisabeth of Braunschweig-Lüneburg (1613-76) in Wolfenbüttel Court Festivities of the 1650s -- 11. An Enlightened Future History on the Milan Opera Stage: Niccolò Piccinni's Il regno della Luna -- PART FIVE. Performing the Body and the Senses -- 12. "A New World is Opened up to View": Orchestral Gesture in Berlioz's Roméo et Juliette -- 13. Italian Futurism: Music and the Senses in the Modern Age -- PART SIX. Performing the Popular -- 14. "Saxophones Sobbed Out Jazz": New Zealand's First Jazz Recording -- 15. "To Display Her Chief Accomplishment": Domestic Manuscript Music Collections in Colonial Australia -- Author Biographies -- Index |
title_sub |
Approaches to History Across Musicology / |
title_full |
Performing History : Approaches to History Across Musicology / ed. by Nancy November. |
title_fullStr |
Performing History : Approaches to History Across Musicology / ed. by Nancy November. |
title_full_unstemmed |
Performing History : Approaches to History Across Musicology / ed. by Nancy November. |
title_auth |
Performing History : Approaches to History Across Musicology / |
title_alt |
Frontmatter -- Contents -- Introduction -- PART ONE. HIP Experiences -- 1. Some Senses of History among HIP Performers -- 2. Counting to Four: The flûte du quatre in Charles Dieupart's Six Suittes (1701) -- 3. The French Style of Viol Bowing and the enflé in the Works of Marin Marais -- 4. Contextual History through Rhetorical Visuality in Performing Monteverdi's Il pianto della Madonna -- PART TWO. Performance as Celebration and Conservation -- 5. Celebrating and Enhancing a Virtual Past through Singing: The Polynesian Community on Takū -- 6. Reimagining Traditional Ritual Music of Sabah for Contemporary Performance as a Means of Conservation -- PART THREE. Performing War -- 7. Historical Fidelity and Creative License in two Viennese Battles of the Nile -- 8. Gallipoli to the Somme: A Musical Witness to History -- 9. Britten's Primal Scream -- PART FOUR. Staging Power and Enlightenment -- 10. Staging Power: The Role of Duchess Sophie Elisabeth of Braunschweig-Lüneburg (1613-76) in Wolfenbüttel Court Festivities of the 1650s -- 11. An Enlightened Future History on the Milan Opera Stage: Niccolò Piccinni's Il regno della Luna -- PART FIVE. Performing the Body and the Senses -- 12. "A New World is Opened up to View": Orchestral Gesture in Berlioz's Roméo et Juliette -- 13. Italian Futurism: Music and the Senses in the Modern Age -- PART SIX. Performing the Popular -- 14. "Saxophones Sobbed Out Jazz": New Zealand's First Jazz Recording -- 15. "To Display Her Chief Accomplishment": Domestic Manuscript Music Collections in Colonial Australia -- Author Biographies -- Index |
title_new |
Performing History : |
title_sort |
performing history : approaches to history across musicology / |
publisher |
Academic Studies Press, |
publishDate |
2020 |
physical |
1 online resource (358 p.) Issued also in print. |
contents |
Frontmatter -- Contents -- Introduction -- PART ONE. HIP Experiences -- 1. Some Senses of History among HIP Performers -- 2. Counting to Four: The flûte du quatre in Charles Dieupart's Six Suittes (1701) -- 3. The French Style of Viol Bowing and the enflé in the Works of Marin Marais -- 4. Contextual History through Rhetorical Visuality in Performing Monteverdi's Il pianto della Madonna -- PART TWO. Performance as Celebration and Conservation -- 5. Celebrating and Enhancing a Virtual Past through Singing: The Polynesian Community on Takū -- 6. Reimagining Traditional Ritual Music of Sabah for Contemporary Performance as a Means of Conservation -- PART THREE. Performing War -- 7. Historical Fidelity and Creative License in two Viennese Battles of the Nile -- 8. Gallipoli to the Somme: A Musical Witness to History -- 9. Britten's Primal Scream -- PART FOUR. Staging Power and Enlightenment -- 10. Staging Power: The Role of Duchess Sophie Elisabeth of Braunschweig-Lüneburg (1613-76) in Wolfenbüttel Court Festivities of the 1650s -- 11. An Enlightened Future History on the Milan Opera Stage: Niccolò Piccinni's Il regno della Luna -- PART FIVE. Performing the Body and the Senses -- 12. "A New World is Opened up to View": Orchestral Gesture in Berlioz's Roméo et Juliette -- 13. Italian Futurism: Music and the Senses in the Modern Age -- PART SIX. Performing the Popular -- 14. "Saxophones Sobbed Out Jazz": New Zealand's First Jazz Recording -- 15. "To Display Her Chief Accomplishment": Domestic Manuscript Music Collections in Colonial Australia -- Author Biographies -- Index |
isbn |
9781644693551 9783110688207 9783110696295 9783110704716 9783110704518 9783110704747 9783110704532 9783110696301 9781644693544 |
callnumber-first |
M - Music |
callnumber-subject |
ML - Literature on Music |
callnumber-label |
ML457 |
callnumber-sort |
ML 3457 |
url |
https://doi.org/10.1515/9781644693551?locatt=mode:legacy https://www.degruyter.com/isbn/9781644693551 https://www.degruyter.com/cover/covers/9781644693551.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
780 - Music |
dewey-ones |
780 - Music |
dewey-full |
780.7809 |
dewey-sort |
3780.7809 |
dewey-raw |
780.7809 |
dewey-search |
780.7809 |
doi_str_mv |
10.1515/9781644693551?locatt=mode:legacy |
oclc_num |
1198929001 |
work_keys_str_mv |
AT badleyallan performinghistoryapproachestohistoryacrossmusicology AT huntermary performinghistoryapproachestohistoryacrossmusicology AT kalevadaniela performinghistoryapproachestohistoryacrossmusicology AT lambertsterling performinghistoryapproachestohistoryacrossmusicology AT mayslawrence performinghistoryapproachestohistoryacrossmusicology AT morrisimogen performinghistoryapproachestohistoryacrossmusicology AT moylerichard performinghistoryapproachestohistoryacrossmusicology AT novembernancy performinghistoryapproachestohistoryacrossmusicology AT palenciamia performinghistoryapproachestohistoryacrossmusicology AT richardsrosemary performinghistoryapproachestohistoryacrossmusicology AT rijingevan performinghistoryapproachestohistoryacrossmusicology AT ritchieanthony performinghistoryapproachestohistoryacrossmusicology AT rumbelljennifer performinghistoryapproachestohistoryacrossmusicology AT spracklanhollhannah performinghistoryapproachestohistoryacrossmusicology AT sussexpolly performinghistoryapproachestohistoryacrossmusicology AT wardaleisha performinghistoryapproachestohistoryacrossmusicology |
status_str |
n |
ids_txt_mv |
(DE-B1597)546529 (OCoLC)1198929001 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Academic Studies Press Complete eBook-Package 2020 Title is part of eBook package: De Gruyter DG Plus PP Package 2020 Part 2 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2020 Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2020 English Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2020 Title is part of eBook package: De Gruyter PP ROW Ebook Package English 2020 |
is_hierarchy_title |
Performing History : Approaches to History Across Musicology / |
container_title |
Title is part of eBook package: De Gruyter Academic Studies Press Complete eBook-Package 2020 |
author2_original_writing_str_mv |
noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField noLinkedField |
_version_ |
1770177205542846464 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>08821nam a22014175i 4500</leader><controlfield tag="001">9781644693551</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20210621102733.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">210621t20202020mau fo d z eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2020009723</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781644693551</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781644693551</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)546529</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1198929001</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">mau</subfield><subfield code="c">US-MA</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">ML457</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">ML457</subfield><subfield code="b">.P497 2020</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">MUS020000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">780.7809</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Performing History :</subfield><subfield code="b">Approaches to History Across Musicology /</subfield><subfield code="c">ed. by Nancy November.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Boston, MA : </subfield><subfield code="b">Academic Studies Press, </subfield><subfield code="c">[2020]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (358 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">PART ONE. HIP Experiences -- </subfield><subfield code="t">1. Some Senses of History among HIP Performers -- </subfield><subfield code="t">2. Counting to Four: The flûte du quatre in Charles Dieupart's Six Suittes (1701) -- </subfield><subfield code="t">3. The French Style of Viol Bowing and the enflé in the Works of Marin Marais -- </subfield><subfield code="t">4. Contextual History through Rhetorical Visuality in Performing Monteverdi's Il pianto della Madonna -- </subfield><subfield code="t">PART TWO. Performance as Celebration and Conservation -- </subfield><subfield code="t">5. Celebrating and Enhancing a Virtual Past through Singing: The Polynesian Community on Takū -- </subfield><subfield code="t">6. Reimagining Traditional Ritual Music of Sabah for Contemporary Performance as a Means of Conservation -- </subfield><subfield code="t">PART THREE. Performing War -- </subfield><subfield code="t">7. Historical Fidelity and Creative License in two Viennese Battles of the Nile -- </subfield><subfield code="t">8. Gallipoli to the Somme: A Musical Witness to History -- </subfield><subfield code="t">9. Britten's Primal Scream -- </subfield><subfield code="t">PART FOUR. Staging Power and Enlightenment -- </subfield><subfield code="t">10. Staging Power: The Role of Duchess Sophie Elisabeth of Braunschweig-Lüneburg (1613-76) in Wolfenbüttel Court Festivities of the 1650s -- </subfield><subfield code="t">11. An Enlightened Future History on the Milan Opera Stage: Niccolò Piccinni's Il regno della Luna -- </subfield><subfield code="t">PART FIVE. Performing the Body and the Senses -- </subfield><subfield code="t">12. "A New World is Opened up to View": Orchestral Gesture in Berlioz's Roméo et Juliette -- </subfield><subfield code="t">13. Italian Futurism: Music and the Senses in the Modern Age -- </subfield><subfield code="t">PART SIX. Performing the Popular -- </subfield><subfield code="t">14. "Saxophones Sobbed Out Jazz": New Zealand's First Jazz Recording -- </subfield><subfield code="t">15. "To Display Her Chief Accomplishment": Domestic Manuscript Music Collections in Colonial Australia -- </subfield><subfield code="t">Author Biographies -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The fifteen essays of Performing History glimpse the diverse ways music historians "do" history, and the diverse ways in which music histories matter. This book's chapters are structured into six key areas: historically informed performance; ethnomusicological perspectives; particular musical works that "tell," "enact," or "perform" war histories; operatic works that works that "tell," "enact," or "perform" power or enlightenment; musical works that deploy the body and a broad range of senses to convey histories; and histories involving popular music and performance. Diverse lines of evidence and manifold methodologies are represented here, ranging from traditional historical archival research to interviewing, performing, and composing. The modes of analyzing music and its associated texts represented here are as various as the kinds of evidence explored, including, for example, reading historical accounts against other contextual backdrops, and reading "between the lines" to access other voices than those provided by mainstream interpretation or traditional musicology.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Historiography.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music and history.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="x">Interpretation (Phrasing, dynamics, etc.)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="x">Interpretation (Phrasing, dynamics, etc.).</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="x">Performance</subfield><subfield code="x">History.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Music</subfield><subfield code="x">Performance.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">MUSIC / History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Australasia.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Bach.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Baroque.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Dieupart.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Indonesia.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Marais.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Monteverdi.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Music history.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">New Zealand.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Pacific Rim.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Polynesia.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">aesthetics.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">art.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">composition.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">contemporary.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">critique.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">ethnomusicology.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">historically informed performance.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">instruments.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">methodologies.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">multisensory.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">musicology.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">opera.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">popular music.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">preservation.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">song.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">staging.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">theory.</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">war.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Badley, Allan, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hunter, Mary, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kaleva, Daniela, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lambert, Sterling, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Mays, Lawrence, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Morris, Imogen, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Moyle, Richard, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">November, Nancy, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">November, Nancy, </subfield><subfield code="e">editor.</subfield><subfield code="4">edt</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Palencia, Mia, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Richards, Rosemary, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rij, Inge van, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ritchie, Anthony, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rumbell, Jennifer, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Spracklan-Holl, Hannah, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Sussex, Polly, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ward, Aleisha, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Academic Studies Press Complete eBook-Package 2020</subfield><subfield code="z">9783110688207</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">DG Plus PP Package 2020 Part 2</subfield><subfield code="z">9783110696295</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE COMPLETE 2020 English</subfield><subfield code="z">9783110704716</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE COMPLETE 2020</subfield><subfield code="z">9783110704518</subfield><subfield code="o">ZDB-23-DGG</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE Literary, Cultural, Area Studies 2020 English</subfield><subfield code="z">9783110704747</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">EBOOK PACKAGE Literary, Cultural, Area Studies 2020</subfield><subfield code="z">9783110704532</subfield><subfield code="o">ZDB-23-DKU</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">PP ROW Ebook Package English 2020</subfield><subfield code="z">9783110696301</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9781644693544</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781644693551?locatt=mode:legacy</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781644693551</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/cover/covers/9781644693551.jpg</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-068820-7 Academic Studies Press Complete eBook-Package 2020</subfield><subfield code="b">2020</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-069629-5 DG Plus PP Package 2020 Part 2</subfield><subfield code="b">2020</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-069630-1 PP ROW Ebook Package English 2020</subfield><subfield code="b">2020</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-070471-6 EBOOK PACKAGE COMPLETE 2020 English</subfield><subfield code="b">2020</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-070474-7 EBOOK PACKAGE Literary, Cultural, Area Studies 2020 English</subfield><subfield code="b">2020</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield><subfield code="b">2020</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DKU</subfield><subfield code="b">2020</subfield></datafield></record></collection> |