Reading Faulknerian Tragedy / / Warwick Wadlington.

"This could be the best Faulkner study of the decade, the counterpart of Vickery in the 50s and Brooks in the 60s. It is ambitious,powerfully well-informed, and quite as pathbreaking in its approach as one would expect from the author of The Confidence Game in American Literature." -Gary L...

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Superior document:Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
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Place / Publishing House:Ithaca, NY : : Cornell University Press, , [2019]
©1987
出版年:2019
语言:English
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实物描述:1 online resource (272 p.)
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id 9781501743740
ctrlnum (DE-B1597)534134
(OCoLC)1129181477
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spelling Wadlington, Warwick, author. aut http://id.loc.gov/vocabulary/relators/aut
Reading Faulknerian Tragedy / Warwick Wadlington.
Ithaca, NY : Cornell University Press, [2019]
©1987
1 online resource (272 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- Preface -- Introduction: On Saying No to Death -- CHAPTER 1. Reading and Performance: Reproduction and Persons -- CHAPTER 2. Faulkner and the Tragic Potentials of Honor and Shame -- CHAPTER 3. A Logic of Tragedy: The Sound and the Fury -- CHAPTER 4. Voice as Hero: As I Lay Dying and the Mortuary Trilogy -- CHAPTER 5. Rest in Peace: The Promise and End of Light in August -- CHAPTER 6. The House of Absalorn, Absalom!: Voices, Daughters, and the Question of Catharsis -- Appendix A. Some Limitations of Deconstructive "Reading" -- Appendix B. Studying Actual Readers -- Notes -- Works Cited -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
"This could be the best Faulkner study of the decade, the counterpart of Vickery in the 50s and Brooks in the 60s. It is ambitious,powerfully well-informed, and quite as pathbreaking in its approach as one would expect from the author of The Confidence Game in American Literature." -Gary Lee Stonum, Department of English, Case Western Reserve University Reading Faulknerian Tragedy illuminates theories of reading and of tragedy as it poses new questions in respect to four of Faulkner's major novels. Drawing on the work of the literary theorists Kenneth Burke and Mikhail Bakhtin and the anthropologist Clifford Geertz, Warwick Wadlington gives a coherent account of the aesthetics of Faulkner's tragedy and advocates a model of reading based not on interpretation but on performance. Faulkner's voice, he asserts, functions as an invitation to readers to assume roles, become speakers and thus listeners, and so in a sense complete the text they are reading, and to take pleasure in or suffer the consequences of their role-taking.Offering an "anthropology of rhetoric," Wadlington examines the cultural contexts of Faulkner's writing and describes a kind of tragedy springing from the possibilities of heroic existence in a culture that stresses honor and shame. He defines tragedy as part of a historical, genealogical process, and locates the reading and writing of tragedy within the distinctly human opposition to personal mortality. In his view, reading epitomizes the performance of the scripts of culture itself, and it is one of the cultural activities that constitute persons by furnishing them with the very power to exist. Wadlington offers detailed analyses of The Sound and the Fury, As I Lay Dying, Light in August, and Absalom, Absalom!Rich and provocative in its implications for literary theorists as well as for Faulknerians, the book will also be welcomed by specialists and students of twentieth-century American literature and the novel.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
Literary Studies.
LITERARY CRITICISM / Subjects & Themes / Historical Events . bisacsh
Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000 9783110536171
https://doi.org/10.7591/9781501743740
https://www.degruyter.com/isbn/9781501743740
Cover https://www.degruyter.com/document/cover/isbn/9781501743740/original
language English
format eBook
author Wadlington, Warwick,
Wadlington, Warwick,
spellingShingle Wadlington, Warwick,
Wadlington, Warwick,
Reading Faulknerian Tragedy /
Frontmatter --
Contents --
Preface --
Introduction: On Saying No to Death --
CHAPTER 1. Reading and Performance: Reproduction and Persons --
CHAPTER 2. Faulkner and the Tragic Potentials of Honor and Shame --
CHAPTER 3. A Logic of Tragedy: The Sound and the Fury --
CHAPTER 4. Voice as Hero: As I Lay Dying and the Mortuary Trilogy --
CHAPTER 5. Rest in Peace: The Promise and End of Light in August --
CHAPTER 6. The House of Absalorn, Absalom!: Voices, Daughters, and the Question of Catharsis --
Appendix A. Some Limitations of Deconstructive "Reading" --
Appendix B. Studying Actual Readers --
Notes --
Works Cited --
Index
author_facet Wadlington, Warwick,
Wadlington, Warwick,
author_variant w w ww
w w ww
author_role VerfasserIn
VerfasserIn
author_sort Wadlington, Warwick,
title Reading Faulknerian Tragedy /
title_full Reading Faulknerian Tragedy / Warwick Wadlington.
title_fullStr Reading Faulknerian Tragedy / Warwick Wadlington.
title_full_unstemmed Reading Faulknerian Tragedy / Warwick Wadlington.
title_auth Reading Faulknerian Tragedy /
title_alt Frontmatter --
Contents --
Preface --
Introduction: On Saying No to Death --
CHAPTER 1. Reading and Performance: Reproduction and Persons --
CHAPTER 2. Faulkner and the Tragic Potentials of Honor and Shame --
CHAPTER 3. A Logic of Tragedy: The Sound and the Fury --
CHAPTER 4. Voice as Hero: As I Lay Dying and the Mortuary Trilogy --
CHAPTER 5. Rest in Peace: The Promise and End of Light in August --
CHAPTER 6. The House of Absalorn, Absalom!: Voices, Daughters, and the Question of Catharsis --
Appendix A. Some Limitations of Deconstructive "Reading" --
Appendix B. Studying Actual Readers --
Notes --
Works Cited --
Index
title_new Reading Faulknerian Tragedy /
title_sort reading faulknerian tragedy /
publisher Cornell University Press,
publishDate 2019
physical 1 online resource (272 p.)
contents Frontmatter --
Contents --
Preface --
Introduction: On Saying No to Death --
CHAPTER 1. Reading and Performance: Reproduction and Persons --
CHAPTER 2. Faulkner and the Tragic Potentials of Honor and Shame --
CHAPTER 3. A Logic of Tragedy: The Sound and the Fury --
CHAPTER 4. Voice as Hero: As I Lay Dying and the Mortuary Trilogy --
CHAPTER 5. Rest in Peace: The Promise and End of Light in August --
CHAPTER 6. The House of Absalorn, Absalom!: Voices, Daughters, and the Question of Catharsis --
Appendix A. Some Limitations of Deconstructive "Reading" --
Appendix B. Studying Actual Readers --
Notes --
Works Cited --
Index
isbn 9781501743740
9783110536171
url https://doi.org/10.7591/9781501743740
https://www.degruyter.com/isbn/9781501743740
https://www.degruyter.com/document/cover/isbn/9781501743740/original
illustrated Not Illustrated
doi_str_mv 10.7591/9781501743740
oclc_num 1129181477
work_keys_str_mv AT wadlingtonwarwick readingfaulkneriantragedy
status_str n
ids_txt_mv (DE-B1597)534134
(OCoLC)1129181477
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
is_hierarchy_title Reading Faulknerian Tragedy /
container_title Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
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Drawing on the work of the literary theorists Kenneth Burke and Mikhail Bakhtin and the anthropologist Clifford Geertz, Warwick Wadlington gives a coherent account of the aesthetics of Faulkner's tragedy and advocates a model of reading based not on interpretation but on performance. Faulkner's voice, he asserts, functions as an invitation to readers to assume roles, become speakers and thus listeners, and so in a sense complete the text they are reading, and to take pleasure in or suffer the consequences of their role-taking.Offering an "anthropology of rhetoric," Wadlington examines the cultural contexts of Faulkner's writing and describes a kind of tragedy springing from the possibilities of heroic existence in a culture that stresses honor and shame. He defines tragedy as part of a historical, genealogical process, and locates the reading and writing of tragedy within the distinctly human opposition to personal mortality. 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