Past Looking : : Historical Imagination and the Rhetoric of the Image / / Michael Ann Holly.

Michael Ann Holly asserts that historical interpretation of the pictorial arts is always the intellectual product of a dynamic exchange between past and present. Recent theory emphasizes the subjectivity of the historian and the ways in which any interpretation betrays the presence of an interpreter...

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Superior document:Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
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Place / Publishing House:Ithaca, NY : : Cornell University Press, , [2018]
©1996
Bliain Foilsithe:2018
Teanga:English
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Cur Síos Fisiciúil:1 online resource (256 p.) :; 60 halftones
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100 1 |a Holly, Michael Ann,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Past Looking :  |b Historical Imagination and the Rhetoric of the Image /  |c Michael Ann Holly. 
264 1 |a Ithaca, NY :   |b Cornell University Press,   |c [2018] 
264 4 |c ©1996 
300 |a 1 online resource (256 p.) :  |b 60 halftones 
336 |a text  |b txt  |2 rdacontent 
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338 |a online resource  |b cr  |2 rdacarrier 
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505 0 0 |t Frontmatter --   |t Contents --   |t Illustrations --   |t Preface --   |t 1. Telling a Picture --   |t 2. Picturing Cultural History --   |t 3. Looking into the Past --   |t 4. Imagining the Baroque --   |t 5. Writing Leonardo Backwards --   |t 6. Witnessing an Annunciation --   |t 7. Reading Critical Theory --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Michael Ann Holly asserts that historical interpretation of the pictorial arts is always the intellectual product of a dynamic exchange between past and present. Recent theory emphasizes the subjectivity of the historian and the ways in which any interpretation betrays the presence of an interpreter. In Past Looking, she challenges that view, arguing that historical objects of representational art are actively engaged in prefiguring the kinds of histories that can be written about them. Holly directs her attention to early modern works of visual art and their rhetorical roles in legislating the kind of tales told bout them by a few classic cultural commentaries of the nineteenth and twentieth centuries: Burckhardt's synchronic vision of the Italian Renaissance, Wölfflin's exemplification of the Baroque, Schapiro's and Freud's dispute over the meanings of Leonardo's art, and Panofsky's exegesis of the disguised symbolism of Northern Renaissance painting. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) 
650 0 |a Art  |x Historiography. 
650 0 |a Art  |x Philosophy. 
650 0 |a Visual communication in art. 
650 4 |a Art History. 
650 4 |a Cultural Studies. 
650 4 |a History. 
650 7 |a ART / Criticism.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Cornell University Press Archive Pre-2000  |z 9783110536171 
856 4 0 |u https://doi.org/10.7591/9781501725692 
856 4 0 |u https://www.degruyter.com/isbn/9781501725692 
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