Racial Asymmetries : : Asian American Fictional Worlds / / Stephen Hong Sohn.

• Superior document: Title is part of eBook package: De Gruyter New York University Press Complete eBook-Package 2014-2015
• VerfasserIn: Sohn, Stephen Hong,
• Place / Publishing House: New York, NY : : New York University Press, , [2014]; ©2014
• Year of Publication: 2014
• Language: English
• Physical Description: 1 online resource
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction: The Many Storytellers of Asian American Fiction --; 1. White Flight, White Narration: Suburban Deviancies in Chang-rae Lee’s Aloft --; 2. When the Minor Becomes Major: Asian American Literary California, Chicano Narration, and Sesshu Foster’s Atomik Aztex --; 3. The Incomplete Biography in the Post–Civil Rights Era: Narrating Imagined Lives in Sigrid Nunez’s Fictions --; 4. Comparative Colonial Narration: Conquest and Consumption in Sabina Murray’s Fictions --; 5. Impossible Narration: Racial Analogies and Asian American Speculative Fictions --; Coda: Fiction Unbound --; Notes --; Works Cited --; Index --; About the Author
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781479800551; 9783110728996
• DOI: 10.18574/nyu/9781479800070.001.0001
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Stephen Hong Sohn.

Challenging the tidy links among authorial position, narrative perspective, and fictional content, Stephen Hong Sohn argues that Asian American authors have never been limited to writing about Asian American characters or contexts. Racial Asymmetries specifically examines the importance of first person narration in Asian American fiction published in the postrace era, focusing on those cultural productions in which the author’s ethnoracial makeup does not directly overlap with that of the storytelling perspective.Through rigorous analysis of novels and short fiction, such as Sesshu Foster’s Atomik Aztex, Sabina Murray’s A Carnivore’s Inquiry and Sigrid Nunez’s The Last of Her Kind, Sohn reveals how the construction of narrative perspective allows the Asian American writer a flexible aesthetic canvas upon which to engage issues of oppression and inequity, power and subjectivity, and the complicated construction of racial identity. Speaking to concerns running through postcolonial studies and American literature at large, Racial Asymmetries employs an interdisciplinary approach to reveal the unbounded nature of fictional worlds.