meXicana Fashions : : Politics, Self-Adornment, and Identity Construction / / ed. by Norma E. Cantú, Aída Hurtado.

• MitwirkendeR: Cantú, Norma E.,; Díaz-Sánchez, Micaela,; González, Amber Rose,; González-Martin, Rachel Valentina,; Gutiérrez y Muhs, Gabriella,; Hurtado, Aída,; Macías, Stacy I.,; McMahon, Marci R.,; Montes, Felicia,; Méndez-Negrete, Josie,; Perez, Domino Renee,; Petermon, Jade D.,; Pérez, Laura,; Rodríguez, Sonia Alejandra,; Sandoval, Chela,
• HerausgeberIn: Cantú, Norma E.,; Hurtado, Aída,
• Place / Publishing House: Austin : : University of Texas Press, , [2021]; ©2020
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource
• Other title: Frontmatter --; Contents --; Introduction --; SECTION I RENDERING OF SELF: PERSONAL NARRATIVES/ PERSONAL ADORNMENT --; CHAPTER 1 Wearing Identity: Chicanas and Huipiles --; CHAPTER 2 Con el huipil en la mente: The Metamorphosis of a Chicana --; CHAPTER 3 "Rebozos, huipiles, y ¿Qué?": Chicana Self-Fashioning in the Academy --; CHAPTER 4 Por la facha y por el traje, se conoce al personaje: Tales about Attire as Resistance and Performativity in a Chicana's Life Trajectory --; CHAPTER 5 A Familial Legacy of meXicana Style --; SECTION II THE POLITICS OF DRESS: SAYING IT LOUD/SAYING IT CLEAR --; CHAPTER 6 Buying the Dream: Relating "Traditional" Dress to Consumer Practices in US Quinceañeras --; CHAPTER 7 Visuality, Corporality, and Power --; CHAPTER 8 Black, Brown, and Fa(t)shionable: The Role of Fat Women of Color in the Rise of Body Positivity --; CHAPTER 9 Fashioning Decolonial Optics: Days of the Dead Walking Altars and Calavera Fashion Shows in Latina/o Los Angeles --; CHAPTER 10 "Fierce and Fearless": Dress and Identity in Rigoberto González's The Mariposa Club --; SECTION III THE POLITICS OF ENTREPRENEURSHIP: MAKING (IT)/SELLING (IT) --; CHAPTER 11 Lydia Mendoza, "Reina de la Música Tejana": Self-Stylizing Mexicanidad through China Poblana in the US-Mexico Borderlands --; CHAPTER 12 (Ad)Dressing Chicana/Latina Femininities: Consumption, Labor, and the Cultural Politics of Style in Latina Fashion --; CHAPTER 13 Urban Xican/x-Indigenous Fashion Show ARTivism: Experimental Perform-Antics in Three Actos --; Contributors --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781477319604
• DOI: 10.7560/319581
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: ed. by Norma E. Cantú, Aída Hurtado.

Collecting the perspectives of scholars who reflect on their own relationships to particular garments, analyze the politics of dress, and examine the role of consumerism and entrepreneurialism in the production of creating and selling a style, meXicana Fashions examines and searches for meaning in these visible, performative aspects of identity. Focusing primarily on Chicanas but also considering trends connected to other Latin American communities, the authors highlight specific constituencies that are defined by region ("Tejana style," "L.A. style"), age group ("homie," "chola"), and social class (marked by haute couture labels such as Carolina Herrera and Oscar de la Renta). The essays acknowledge the complex layers of these styles, which are not mutually exclusive but instead reflect a range of intersections in occupation, origin, personality, sexuality, and fads. Other elements include urban indigenous fashion shows, the shifting quinceañera market, "walking altars" on the Days of the Dead, plus-size clothing, huipiles in the workplace, and dressing in drag. Together, these chapters illuminate the full array of messages woven into a vibrant social fabric.