Bergson in Britain : : Philosophy and Modernist Painting, c. 1890-1914 / / Charlotte de Mille.

• VerfasserIn: de Mille, Charlotte,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2023]; 2023
• Year of Publication: 2023
• Language: English
• Series: Refractions
• Physical Description: 1 online resource (400 p.) :; 13 B/W illustrations 7 colour illustrations 13 B&W and 7 colour images
• Other title: Frontmatter --; Contents --; List of Figures --; Acknowledgements --; Introduction: The 'Age of Bergson' --; 1. Bergson in Britain? --; 2. Metaphysics of Non-Representation: Bloomsbury's Bergson --; 3. New Spirits: Moina MacGregor --; 4. Rhythmist (E-)Utopias: Fergusson's Bergson and the Evolution of Creation --; 5. Blasted Devolution: Wyndham Lewis and Henri Bergson --; Conclusion --; Epilogue - 'a momentary displacement of our equilibrium' --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781474492409
• DOI: 10.1515/9781474492409
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Charlotte de Mille.

Demonstrates the central role of Bergson for modernist art and intellectual history in the UKBrings to light new evidence of British artists' direct engagement with Bergson, opening new avenues of research and interpretation for the artists Vanessa Bell, Duncan Grant, John Duncan Fergusson, and artist-writers Roger Fry and Wyndham LewisBased on archival material in Paris and US not previously accessed (Bibliotèque Jacques Doucet, Isabella Gardner Museum, Boston and Wyndham Lewis' marginalia in his editions of Bergson's texts at The University of Texas at Austin), in addition to primary sources in UK (Universities of Cambridge, Edinburgh, London, and Strathclyde), and US (Universities of Cornell and Texas at Austin)Changes art history's standard readings of these artists as the evidence of their knowledge of and engagement with Bergson is irrefutableExplores concepts of duration, intuition, creativity; the image and perception as they were formulated by Bergson and understood by his contemporariesDemonstrates Bergson's relevance to key problematics for Art History: temporality, intuition, subjectivity, representation, the image.Charlotte de Mille shows that the reception of the philosophy of Henri Bergson by British artists and critics was far more wide spread and of far greater importance in the UK than has been previously thought.Based on archival material in Paris and the US, not all previously accessed, along with primary UK sources, she opens new avenues of research and interpretation on the work of artists Vanessa Bell, Duncan Grant, John Duncan Fergusson and artist-writers Roger Fry and Wyndham Lewis.De Mille demonstrates the profound impact of Bergson's work in UK culture immediately prior to World War One. Her interdisciplinary approach integrates philosophy, art criticism and art history. An Epilogue considers the proximity of Bergson's thought on temporality, perception, intuition and subjectivity to art history, from Alois Riegl and Aby Warburg, to practitioners today.