Cinema and Soft Power : : Configuring the National and Transnational in Geo-politics / / Stephanie Dennison, Rachel Dwyer.

Explores the relationship between soft power and film in relation to national and transnational cinemasExamines the implications for global film culture of the apparent shift in power relations between the developed and developing worldConsideration given to the transnational dimension of film cultu...

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Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2021
Year of Publication:2022
Language:English
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Physical Description:1 online resource (256 p.) :; 23 B/W illustrations 6 B/W tables
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Other title:Frontmatter --
Contents --
List of Figures, Charts and Tables --
Notes on Contributors --
Preface and Acknowledgements --
Introduction: The Soft Power of Film --
1 Soft Power and Cinema: A Methodological Reflection and Some Chinese Inflections --
2 Building BRICS: Soft Power and Audio-visual Relations in Transnational Context --
3 The Global Animation Market: Opportunities for Developing Countries --
4 (Masha and) the Bear Diplomacy: Soft Power as World-building and Russian Non-governmental Agency --
5 The Limits of Hollywood as an Instrument of Chinese Public Diplomacy and Soft Power --
6 The Second World War, Soviet Sports and Furious Space Walks: Soft Power and Nation Branding in the Putin 2.0 Era --
7 Popular Geo-politics, Strategic Narratives and Soft Power in Viking (2016) and Guardians (2017) --
8 The South African Soft Power Narrative, Cinema and Participatory Video --
9 New Myths for an Old Nation: Bollywood, Soft Power and Hindu Nationalism --
10 Soft Power and National Cinema: James Bond, ‘GREAT’ Britain and Brexit --
Index
Summary:Explores the relationship between soft power and film in relation to national and transnational cinemasExamines the implications for global film culture of the apparent shift in power relations between the developed and developing worldConsideration given to the transnational dimension of film culturesDiscusses the relationship between film culture and soft power in the BRICS countries and the UKThe apparent shift in power relations between the developed and developing world, along with the increasing emphasis that national and transnational organisations place on the role of ‘soft power’ in global foreign policy, has profound implications for global film culture. Focusing primarily on the BRICS countries (Brazil, Russia, India, China and South Africa), this innovative collection examines the diverse and often competing ways the group as a whole engages with film as a medium of artistic expression, and as a ‘soft power’ resource.The contributors explore the wider implications for world cinema of its members’ differing and dynamic positions in the global media landscape, and the book includes a comparative analysis by examining the post-imperial soft power of the UK at the time of Brexit.
Format:Mode of access: Internet via World Wide Web.
ISBN:9781474456296
9783110992809
9783110992816
9783110993899
9783110994810
9783110780406
DOI:10.1515/9781474456296
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Stephanie Dennison, Rachel Dwyer.