Acinemas : : Lyotard's Philosophy of Film / / Graham Jones, Ashley Woodward.

The first major survey of Lyotard’s contribution to film theory, combining his original essays with new critical works by leading scholarsThis collection presents, for the first time in English, Jean-François Lyotard’s major essays on film: 'Acinema', 'The Unconscious as Mise-en-scène...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2017
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2017
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (240 p.) :; 5 B/W illustrations
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Other title:Frontmatter --
Contents --
Acknowledgements --
Abbreviations --
Translators’ Note --
I. Openings --
1. Setting the Scene --
2. Why Lyotard and Film? --
3. Cinema Lyotard: An Introduction --
II. Lyotard’s Essays on Film --
4. Acinema --
5. The Unconscious as Mise-en-scène --
6. Two Metamorphoses of the Seductive in Cinema --
7. The Idea of a Sovereign Film --
III. Approaches and Interpretations --
8. Imaginary Constructs? A Libidinal Economy of the Cinematographic Medium --
9. Lyotard and the Art of Seduction --
10. Authorisation: Lyotard’s Sovereign Image --
IV. Applications and Extensions --
11. Discourse, Figure, Suture: Lyotard and Cinematic Space --
12. On Dialogue as Performative Art Criticism --
13. Give Me a Sign: An Anxious Exploration of Performance on Film, Under Lyotard’s Shadow --
14. How Desire Works: A Lyotardian Lynch --
15. Aberrant Movement and Somatography in the Hysterical Comedies of Roméo Bosetti --
Appendices --
1. Lyotard’s Film Work --
2. Memorial Immemorial --
3. Filmography --
4. Bibliography --
Notes on Contributors --
Index
Summary:The first major survey of Lyotard’s contribution to film theory, combining his original essays with new critical works by leading scholarsThis collection presents, for the first time in English, Jean-François Lyotard’s major essays on film: 'Acinema', 'The Unconscious as Mise-en-scène', 'Two Metamorphoses of the Seductive in Cinema' and 'The Idea of a Sovereign Film'. Then, eight critical essays by philosophers and film theorists examine Lyotard's film work and influence across two sections: 'Approaches and Interpretations' and 'Applications and Extensions'. These works are complemented by an introductory essay by leading French scholar Jean-Michel Durafour on Lyotard’s film-philosophy, an overview of Lyotard’s practical film projects written by his collaborators Claudine Eizykman and Guy Fihman, and the synopsis for a later film project Memorial Immemorial, which Lyotard proposed but was not produced. Jean-François Lyotard was the most significant aesthetician of the poststructuralist generation, but this dimension of his thought is only recently beginning to receive the attention it deserves in the English-speaking world. He devoted a number of essays to film, and was involved in making several experimental short films. Lyotard’s reflections on film offer a perspective which seeks to do justice to it as an art by focusing on its aesthetic, material qualities. His work in this area remains a largely untapped resource, with the potential for inaugurating exciting new directions in film-philosophy.ContributorsKiff Bamford, Leeds Beckett University, UKKeith Crome, Manchester Metropolitan University, UKJean-Michel Durafour, University Paris-Est, France Claudine Eizykman, University of Paris 8, FranceGuy Fihman, University of Paris 8, FranceJulie Gaillard, Emory University, USAJon Hackett, St Mary’s University, UKVlad Ionescu, Hasselt University, BelgiumGraham Jones, Federation University, Australia Peter W. Milne, Seoul National University, South KoreaLisa Trahair, New South Wales, AustraliaSusana Viegas, Nova University of Lisbon (NOVA), Portugal and Deakin University, AustraliaJames Williams, Deakin University, Australia
Format:Mode of access: Internet via World Wide Web.
ISBN:9781474418959
9783110781403
DOI:10.1515/9781474418959
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Graham Jones, Ashley Woodward.