Fictions of Discourse : : Reading Narrative Theory / / Patrick O'Neill.

• Superior document: Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999
• VerfasserIn: O'Neill, Patrick,
• Place / Publishing House: Toronto : : University of Toronto Press, , [2017]; ©1996
• Year of Publication: 2017
• Language: English
• Series: Theory / Culture
• Physical Description: 1 online resource (190 p.)
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction --; 1 Theory Games: Narratives and Narratologies --; 2 Narrative Facts and Other Fictions: Story and Discourse --; 3 Discourse Discoursed: The Ventriloquism Effect --; 4 Points of Origin: The Focalization Factor --; 5 Texts and Textuality: The Shapers and the Shaped --; 6 Games Texts Play: Reading between the Narratives --; Conclusion --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781442674868; 9783110490947
• DOI: 10.3138/9781442674868
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Patrick O'Neill.

The fundamental principle upon which contemporary narratology is constructed is that narrative is an essentially divided endeavour, involving the story (`what really happened') and the discourse (`how what happened is presented'). For traditional criticism, the primary task of narrative discourse is essentially to convey the story as transparently as possible. Patrick O'Neill investigates the extent to which narrative discourse also contains the counter-tendency not to tell the story, indeed to subvert the story it tells in foregrounding its own performance. The systemic implications of this perspective for narrative and for narrative theory are examined within the conceptual framework provided by classical French narratology. O'Neill ultimately attempts both to expand and to problematize the structural model of narrative proposed by this centrally important tradition of narrative theory. O'Neill describes narrative as functioning in terms of four interacting levels: story, narrative text, narration, and textuality. Using a range of examples from Homer to modern European fiction, he discusses traditional narrative categories such as voice, focalization, character, and setting, and reinscribes them within the contextual space of author and reader to bring out narrative's potential for ambiguity and unreliability. He also discusses the implications of translation for narrative theory.