Aural Images of Lost Tradition / / Robert Toft.
The oral traditions surrounding the application of sharps and flats to 16th century vocal music are documented in relation to theoretical literature, vocal sources, and intabulations of vocal music. Special reference is made to the motets of Josquin Desprez, Clemens non Papa, and Alexander Agricola.
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| Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Archive 1933-1999 |
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| VerfasserIn: | |
| Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©1992 |
| Year of Publication: | 2016 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (207 p.) |
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| Other title: | Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- 1. Theoretical Framework -- 2. Pitch-Content in Josquin's Motets -- 3. The German Custom -- 4. Traditions of Pitch-Content -- Conclusion -- APPENDIX -- NOTES -- GLOSSARY -- BIBLIOGRAPHY -- LIST OF EXAMPLES -- INDEX OF NAMES AND TITLES -- GENERAL INDEX |
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| Summary: | The oral traditions surrounding the application of sharps and flats to 16th century vocal music are documented in relation to theoretical literature, vocal sources, and intabulations of vocal music. Special reference is made to the motets of Josquin Desprez, Clemens non Papa, and Alexander Agricola. |
| Format: | Mode of access: Internet via World Wide Web. |
| ISBN: | 9781442671119 9783110490947 |
| DOI: | 10.3138/9781442671119 |
| Access: | restricted access |
| Hierarchical level: | Monograph |
| Statement of Responsibility: | Robert Toft. |