Painters in Hanoi : : An Ethnography of Vietnamese Art / / Nora Annesley Taylor.

• Superior document: Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package
• VerfasserIn: Taylor, Nora Annesley,
• Place / Publishing House: Honolulu : : University of Hawaii Press, , [2009]; ©2009
• Year of Publication: 2009
• Language: English
• Physical Description: 1 online resource (192 p.) :; 40 illus., 38 in color
• Other title: Frontmatter --; Contents --; Acknowledgments --; 1. Introduction Sketches of Vietnamese Painting --; 2. Orientalists or Occidentalists? “Indochinese” Artists under Colonialism --; 3. National Heroes and Artistic Heroes Artists under the Revolution --; 4. Bui Xuan Phai and the Modern Masters of Vietnamese Painting --; 5. Postwar Artists and Reformers --; 6. Women Artists --; 7. The Hanoi Art Market and the Global Artist --; 8. Conclusion Past and Present in the Hanoi Art World --; Appendix --; Notes --; Bibliography --; Index --; About the Author
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780824845100; 9783110649772; 9783110564143; 9783110663259
• DOI: 10.1515/9780824845100
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Nora Annesley Taylor.

Painting has played a significant role in modern Vietnam. Postage stamps, billboards, and annual national exhibitions attest to its fundamental place in a country where painters may be hailed as national heroes and include among their number fervent nationalists, propagandists, even dissidents. As Vietnamese painting has gained prominence in the contemporary transnational art circuits of Southeast Asia, many artists have become millionaires, yet Vietnamese painting is generally overlooked in art history surveys of the region. Nora Taylor sets out here to change that. Painters in Hanoi engages with twentieth-century Vietnam through its artists and their works, providing a new angle on a country most often portrayed through the lens of war and politics. Drawing on interviews with artists, cultural officers, curators, art critics, and others in Hanoi, Taylor surveys the impact artists have had on intellectual life in Vietnam. The book shows them within their own complex community, one fraught with tensions, politicking, and favoritism, yet also a sense of belonging. It describes their education, the role of the government in the arts, the rise and fall of individual artists, their influence as active players in the politics of place and gender, the audience for their work, and how tourism and the international art market have influenced it.