The Aesthetic Cold War : : Decolonization and Global Literature / / Peter J. Kalliney.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English
• VerfasserIn: Kalliney, Peter J.,
• Place / Publishing House: Princeton, NJ : : Princeton University Press, , [2022]; ©2022
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (336 p.) :; 25 b/w illus.
• Other title: Frontmatter --; Contents --; List of Illustrations --; Acknowledgments --; List of Abbreviations --; Note on Translation and Transliteration --; Part I --; 1. Cultural Diplomacy, the Political Police, and Nonalignment --; 2. A Brief Intellectual History of the Aesthetic Cold War --; Part II --; 3. Modernism, African Literature, and the Congress for Cultural Freedom --; 4. Indigeneity and Internationalism: Soviet Diplomacy and Afro-Asian Literature --; 5. A Failure of Diplomacy: Placing Eileen Chang in Global Literary History --; Part III --; 6. The Activist Manquée, or How Doris Lessing Became an Experimental Writer --; 7. Caribbean Intellectuals and National Culture: C.L.R. James and Claudia Jones --; 8. Notes from Prison: Individual Testimony Meets Collective Resistance --; Conclusion --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780691230641; 9783110993899; 9783110994810; 9783110993752; 9783110993738; 9783110749731
• DOI: 10.1515/9780691230641?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Peter J. Kalliney.

How decolonization and the cold war influenced literature from Africa, Asia, and the CaribbeanHow did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War, Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean—such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka—carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work.Kalliney looks at how the United States and Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police.A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century.