Interpreting Films : : Studies in the Historical Reception of American Cinema / / Janet Staiger.
Employing a wide range of examples from Uncle Tom's Cabin and Birth of a Nation to Zelig and Personal Best, Janet Staiger argues that a historical examination of spectators' responses to films can make a valuable contribution to the history, criticism, and philosophy of cultural products....
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Superior document: | Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 |
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2021] ©1992 |
Year of Publication: | 2021 |
Language: | English |
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Physical Description: | 1 online resource (290 p.) |
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Table of Contents:
- Frontmatter
- Contents
- List of Figures and Sources
- Preface
- PART ONE: THEORETICAL CONCERNS
- Chapter One The Use-Value of Reception Studies
- Chapter Two Reception Studies in Other Disciplines
- Chapter Three Reception Studies in Film and Television
- Chapter Four Toward a Historical Materialist Approach to Reception Studies
- PART TWO: STUDIES IN THE HISTORY OF THE RECEPTION OF AMERICAN FILMS
- Chapter Five Rethinking "Primitive" Cinema: Intertextuality, the Middle-Class Audience, and Reception Studies
- Chapter Six 'The Handmaiden of Villainy": Foolish Wives, Politics, Gender Orientation, and the Other
- Chapter Seven The Birth of a Nation: Reconsidering Its Reception
- Chapter Eight The Logic of Alternative Readings: A Star Is Born
- Chapter Nine With the Compliments of the Auteur: Art Cinema and the Complexities of Its Reading Strategies
- Chapter Ten Chameleon in the Film, Chameleons in the Audience; or, Where Is Parody? The Case ofZelig
- Epilogue
- Notes
- Select Bibliography
- Index