Blake's Composite Art : : A Study of the Illuminated Poetry / / W.J. Thomas Mitchell.

Can poem and picture collaborate successfully in a composite art of text and design? Or does one art inevitably dominate the other? W.J.T. Mitchell maintains that Blake's illuminated poems are an exception to Suzanne Langer's claim that "there are no happy marriages in art-only succes...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999
VerfasserIn:
Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2019]
©1978
Year of Publication:2019
Language:English
Series:Princeton Legacy Library ; 5321
Online Access:
Physical Description:1 online resource (312 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
id 9780691196268
ctrlnum (DE-B1597)528118
(OCoLC)1089600900
collection bib_alma
record_format marc
spelling Mitchell, W.J. Thomas, author. aut http://id.loc.gov/vocabulary/relators/aut
Blake's Composite Art : A Study of the Illuminated Poetry / W.J. Thomas Mitchell.
Princeton, NJ : Princeton University Press, [2019]
©1978
1 online resource (312 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Princeton Legacy Library ; 5321
Frontmatter -- Contents -- List of Illustrations -- Preface -- Abbreviation -- Chapter One. BLAKE'S COMPOSITE ART -- Chapter Two. BLAKE'S PICTORIAL STYLE -- Chapter Three. THE FORM OF INNOCENCE Poetic and Pictorial Design in The Book of Thel -- Chapter Four. THE HUMAN ILLUSION Poetic and Pictorial Design in The Book of Urizen -- Chapter Five. LIVING FORM Poetic and Pictorial Design in Jerusalem -- Index -- Illustrations
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Can poem and picture collaborate successfully in a composite art of text and design? Or does one art inevitably dominate the other? W.J.T. Mitchell maintains that Blake's illuminated poems are an exception to Suzanne Langer's claim that "there are no happy marriages in art-only successful rape." Drawing on over one hundred reproductions of Blake's pictures, this book shows that neither the graphic nor the poetic aspect of his composite art consistently predominates: their relationship is more like an energetic rivalry, a dialogue between vigorously independent modes of expression. W.J.T. Mitchell is Professor of English and Art and Design at the University of Chicago and editor of Critical Inquiry.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
Aesthetics, British 18th century.
Illumination of books and manuscripts, English.
POETRY / European / English, Irish, Scottish, Welsh. bisacsh
Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 9783110442496
https://doi.org/10.1515/9780691196268?locatt=mode:legacy
https://www.degruyter.com/isbn/9780691196268
Cover https://www.degruyter.com/cover/covers/9780691196268.jpg
language English
format eBook
author Mitchell, W.J. Thomas,
Mitchell, W.J. Thomas,
spellingShingle Mitchell, W.J. Thomas,
Mitchell, W.J. Thomas,
Blake's Composite Art : A Study of the Illuminated Poetry /
Princeton Legacy Library ;
Frontmatter --
Contents --
List of Illustrations --
Preface --
Abbreviation --
Chapter One. BLAKE'S COMPOSITE ART --
Chapter Two. BLAKE'S PICTORIAL STYLE --
Chapter Three. THE FORM OF INNOCENCE Poetic and Pictorial Design in The Book of Thel --
Chapter Four. THE HUMAN ILLUSION Poetic and Pictorial Design in The Book of Urizen --
Chapter Five. LIVING FORM Poetic and Pictorial Design in Jerusalem --
Index --
Illustrations
author_facet Mitchell, W.J. Thomas,
Mitchell, W.J. Thomas,
author_variant w t m wt wtm
w t m wt wtm
author_role VerfasserIn
VerfasserIn
author_sort Mitchell, W.J. Thomas,
title Blake's Composite Art : A Study of the Illuminated Poetry /
title_sub A Study of the Illuminated Poetry /
title_full Blake's Composite Art : A Study of the Illuminated Poetry / W.J. Thomas Mitchell.
title_fullStr Blake's Composite Art : A Study of the Illuminated Poetry / W.J. Thomas Mitchell.
title_full_unstemmed Blake's Composite Art : A Study of the Illuminated Poetry / W.J. Thomas Mitchell.
title_auth Blake's Composite Art : A Study of the Illuminated Poetry /
title_alt Frontmatter --
Contents --
List of Illustrations --
Preface --
Abbreviation --
Chapter One. BLAKE'S COMPOSITE ART --
Chapter Two. BLAKE'S PICTORIAL STYLE --
Chapter Three. THE FORM OF INNOCENCE Poetic and Pictorial Design in The Book of Thel --
Chapter Four. THE HUMAN ILLUSION Poetic and Pictorial Design in The Book of Urizen --
Chapter Five. LIVING FORM Poetic and Pictorial Design in Jerusalem --
Index --
Illustrations
title_new Blake's Composite Art :
title_sort blake's composite art : a study of the illuminated poetry /
series Princeton Legacy Library ;
series2 Princeton Legacy Library ;
publisher Princeton University Press,
publishDate 2019
physical 1 online resource (312 p.)
contents Frontmatter --
Contents --
List of Illustrations --
Preface --
Abbreviation --
Chapter One. BLAKE'S COMPOSITE ART --
Chapter Two. BLAKE'S PICTORIAL STYLE --
Chapter Three. THE FORM OF INNOCENCE Poetic and Pictorial Design in The Book of Thel --
Chapter Four. THE HUMAN ILLUSION Poetic and Pictorial Design in The Book of Urizen --
Chapter Five. LIVING FORM Poetic and Pictorial Design in Jerusalem --
Index --
Illustrations
isbn 9780691196268
9783110442496
callnumber-first P - Language and Literature
callnumber-subject PR - English Literature
callnumber-label PR4147
callnumber-sort PR 44147
era_facet 18th century.
url https://doi.org/10.1515/9780691196268?locatt=mode:legacy
https://www.degruyter.com/isbn/9780691196268
https://www.degruyter.com/cover/covers/9780691196268.jpg
illustrated Not Illustrated
dewey-hundreds 800 - Literature
dewey-tens 820 - English & Old English literatures
dewey-ones 821 - English poetry
dewey-full 821/.7
dewey-sort 3821 17
dewey-raw 821/.7
dewey-search 821/.7
doi_str_mv 10.1515/9780691196268?locatt=mode:legacy
oclc_num 1089600900
work_keys_str_mv AT mitchellwjthomas blakescompositeartastudyoftheilluminatedpoetry
status_str n
ids_txt_mv (DE-B1597)528118
(OCoLC)1089600900
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999
is_hierarchy_title Blake's Composite Art : A Study of the Illuminated Poetry /
container_title Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999
_version_ 1770176301783580672
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04175nam a22006735i 4500</leader><controlfield tag="001">9780691196268</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20210830012106.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">210830t20191978nju fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780691196268</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780691196268</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)528118</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1089600900</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nju</subfield><subfield code="c">US-NJ</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PR4147</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">POE005020</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">821/.7</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Mitchell, W.J. Thomas, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Blake's Composite Art :</subfield><subfield code="b">A Study of the Illuminated Poetry /</subfield><subfield code="c">W.J. Thomas Mitchell.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Princeton, NJ : </subfield><subfield code="b">Princeton University Press, </subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©1978</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (312 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Princeton Legacy Library ;</subfield><subfield code="v">5321</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">List of Illustrations -- </subfield><subfield code="t">Preface -- </subfield><subfield code="t">Abbreviation -- </subfield><subfield code="t">Chapter One. BLAKE'S COMPOSITE ART -- </subfield><subfield code="t">Chapter Two. BLAKE'S PICTORIAL STYLE -- </subfield><subfield code="t">Chapter Three. THE FORM OF INNOCENCE Poetic and Pictorial Design in The Book of Thel -- </subfield><subfield code="t">Chapter Four. THE HUMAN ILLUSION Poetic and Pictorial Design in The Book of Urizen -- </subfield><subfield code="t">Chapter Five. LIVING FORM Poetic and Pictorial Design in Jerusalem -- </subfield><subfield code="t">Index -- </subfield><subfield code="t">Illustrations</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Can poem and picture collaborate successfully in a composite art of text and design? Or does one art inevitably dominate the other? W.J.T. Mitchell maintains that Blake's illuminated poems are an exception to Suzanne Langer's claim that "there are no happy marriages in art-only successful rape." Drawing on over one hundred reproductions of Blake's pictures, this book shows that neither the graphic nor the poetic aspect of his composite art consistently predominates: their relationship is more like an energetic rivalry, a dialogue between vigorously independent modes of expression. W.J.T. Mitchell is Professor of English and Art and Design at the University of Chicago and editor of Critical Inquiry.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Aesthetics, British</subfield><subfield code="y">18th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Illumination of books and manuscripts, English.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">POETRY / European / English, Irish, Scottish, Welsh.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Princeton University Press eBook-Package Archive 1927-1999</subfield><subfield code="z">9783110442496</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780691196268?locatt=mode:legacy</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780691196268</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/cover/covers/9780691196268.jpg</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-044249-6 Princeton University Press eBook-Package Archive 1927-1999</subfield><subfield code="c">1927</subfield><subfield code="d">1999</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection>